TERRYFLAXTON.COM
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
Picture






Alistair Oldham
Senior Lecturer
FIlmaking, Creative Industries

Alistair Oldham has a wide range of teaching experience at undergraduate and postgraduate level, particularly in documentary and factual multiplatform production.  In the past few years, students that he has tutored have made films in locations as diverse as Cuba, Algeria, Burma, Bulgaria, Brazil and Iran and their films have been regularly selected for London, Glasgow and Sheffield (eight times) International Documentary Festivals as well as for the regional (six times) and national Royal Television Society awards. Students that he has tutored have also won the NAHEMI / Kodak national prize for creative film making and the Channel 4 Talent award for most promising documentary newcomer.

In recent years Alistair has produced and directed a series of short documentary films, most notably around issues of sustainability.

 ‘The Bristol Bike Project’ is a short film about cycling, recycling and political asylum. It has been translated into fourteen different languages and has played at over forty film festivals around the world, including in New York, Tokyo, Milan, Madrid, Vienna, Prague, San Francisco, Munich, Seoul, Seattle and Los Angeles as well as at prestigous venues such as the British Film Institute, the Anthology Film Archives in New York, The Barbican and The National Film Board of Canada. The film has also been used extensively in education programmes in the Czech Republic, Slovakia, Estonia, Romania and Georgia, as well as receiving awards in festivals in Germany and Spain.

 https://vimeo.com/36598320​

‘Bonnington Square’ is a short film about the squatting scene in London in the 1980’s. It  received an award for Sustainability in Film at the Ekotop Festival in Slovakia, as well as playing at the London and Edinburgh Documentary Festivals, Branchage Festival and The Diversity in Place Festival in Hawaii, and has also been used in teaching and training programmes at the Journal of Neighbourhood Renewal Conference and in the Department of Design Interaction at the Royal College of Art. 

https://vimeo.com/36595608​

‘Invisible Airs’ is a short film about the computerised database, expenditure and power, and follows the progress of digital media artists YOHA in their commission to investigate database visualization from the B-Open programme of Bristol City Council and the Digital Cultures Research Centre at UWE. It has recently screened at the Globians Documentary Festival in Berlin, where YOHA simultaneously headlined in the Berlin Transmediale with their exhibition ‘Evil Media Distribution Centre’.

https://vimeo.com/36567631​

Publications
  • Oldham, A. and Aston, J. (2013) Teaching multiplatform documentary. In: NAHEMI, Talking Shop, British Film Institute, July, 2013.

  • Oldham, A. (2013) The gardens of St George. [Video]

  • Oldham, A. and McCormack, C. (2012) Invisible airs. [Video]

  • Oldham, A. (2011) Benchmarking and evaluation in an international context. In: CILECT Conference 2011, "Exploring the Future of Film and Media Education", FAMU, Prague, 30th November - 2nd December, 2011.

  • Oldham, A. (2011) Bonnington Square. [Video]

  • Oldham, A. (2010) Teaching documentary to the digital generation. In: NAHEMI Talking Shop conference @ EOS 8.5, BFI Southbank, 23rd - 24th June, 2010.

  • Oldham, A. (2010) The Bristol Bike Project. [Video]

  • Oldham, A. (2009) The consciousness of documentary: Teaching documentary. In: Dun Laoghairefilmsense: A Symposium on Film and Education, National FIlm School, Ireland, April 2009.

  • Oldham, A. (2008) Documentary in the contemporary mediascape. In: Negotiating the Mediascape, University of Kent, Canterbury, June 2008.

  • Oldham, A. (2008) Teaching documentary to the digital generation. In: MECCSA Conference, University of Cardiff, Wales, Ferbruary 2008.