The impact of digital technologies on the production and consumption of moving images  2007-2016

BIBLIOGRAPHY
  1. Donald, M. The Exographic Revolution. 2010. p76.
  2. Flaxton T, Time and Resolution, Experiments in High Definition Image Making, 2009, p145
  3. Flaxton T, High Definition Installations and Single Screen Pieces: An Investigation into the Actual, the Virtual and the Hyper Real, Fellowship Application Case for Support, AHRC Creative Fellowship Proposal 2006, p2
  4. Flaxton T, Time and Resolution, Experiments in High Definition Image Making, 2009, p123
  5. Suderburg E, Renov M, Resolutions: Contemporary Video Practices 1995
  6. Flaxton T. The Concept of Colour Space as seen from the Practitioner’s Standpoint, Bristol University Colour Conference 2009 from the abstract
  7. Flaxton T, The Technologies, Aesthetics, Philosophy and Politics of High Definition Video, Millennium Film Journal, 2009, p47
  8. Flaxton T, High Definition Installations and Single Screen Pieces: An Investigation into the Actual, the Virtual and the Hyper Real, Fellowship Application Case for Support, AHRC Creative Fellowship Proposal 2006, p2
  9. Flaxton T, HD Aesthetics, 2011, p114
  10. Chen Y, Zhao Y. Intergroup threat gates social attention in humans. 2015. From the Abstract.
  11. Flaxton T, New Understandings of the Mimetic and Diegetic in the Creation of Art, 2010, p2
  12. Flaxton T, Notes on the Developing Aesthetics of Digital Technology and its effects on Transmedial Disciplines, 2011, p9
  13. Flaxton T, The Cinematographers Eye, The Academic’s Mind and the Artist’s Intuition, 2012 Westminster, p1
  14. Flaxton T, The Future of the Moving Image, 2013. P2
  15. Flaxton T, The Future of the Moving Image, 2013. P4
  16. Flaxton,T. CitySpaceMindSpace: How to read Los Angeles: Banham and McLuhan in the light of Cognitive Neuro-scientific theories of comprehension. 2016. P7 on pdf in academia
  17. Flaxton T, High Definition Installations and Single Screen Pieces: An Investigation into the Actual, the Virtual and the Hyper Real, AHRC Creative Fellowship Proposal 2006, p1