Moving Image Arts Resources
This page is concerned with a series of Programmes Commissioned by Channel 4 from Triple Vision on the subject of the second wave of video artists who happened to be in the UK (the first wave included Paik and John Hopkins a British Instigator of the 60's who was more interested in anarchic and cybernetic behaviour than Paik) - but this second wave in the UK at least, are now largely forgotten, but without them, the YBA Video Makers, including Gillian Wearing - and all the succeeding Jarman award winners would not have some shoulder to stand upon.
The important and differentiating factor between this series (which ranged from 1986 to 1989) and our sister Channel 4 company that produced their context free Ghosts in the Machine - as that were were very interested in exploring the histories, theories, technologies, cultures and politics of moving image production, interaction and reception. First up: 5 TV programmes created by Triple Vision, directed by myself Terry Flaxton and produced by Penny Dedman - on the subject of Video Art from 1985/1989. Followed by a programme Terry directed for Granada TV with John Wyver. |
|
On Video 1: British Video Art ,1985
|
On Video 2: British Video Art, 1985
|
1986 On Video 3: British Video Art, 1985,
|
On Video 4: TV or Not TV,
European Video Art, 1987 |
On Video Five: Statement of the Art, European Video Art, 1987
|
In the Belly of the Beast, 25 minutes, written and presented by John Wyver, Produced by Zanna Northam, Directed by Terry Flaxton, 1989
|
The World Within Us ,1989 16 minutes
Above for Michael Kustow at Channel 4 and also John Wyver and Illuminations and their series 2 of Ghosts in the Machine: The World Within Us
|
To the Right:In 1989 I received for Channel 4 called The Inevitability of Colour which screened on Channel 4, premiered at the Tate and then as a three part work in the 1992 Bonne Biennale called The Colour Trilogy. I wrote to the Independent department at Channel 4 after John had made the programme which opened La Sept called: L'Objet d'art dans L'age Electronique (after Benjamin) to argue Baurdillard's and Virillio's point concerning meaning. So the Colour Trilogy then turned into the 7 part Myths which then turned into Myth and Meaning in the Digital Age.
|
Myth and Meaning in the Digital Age ,1989 - 2018 75 minutes
|
Talking Heads 1979 20 mins
|
Towards Intuition: An American Landscape 1981 50 mins
|
Eurythmics, 1983, 20 mins
|
|
Entangled: The Human Gaze in an Age of Quantum Entanglement 60 mins 2022 - 2025
|
|
Prisoners 1983/1984 16 miniutes
|