TERRYFLAXTON.COM
  • News
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  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
Below are links to a set of articles on the subject of Digital Cinematography - These are constantly changing, so please let us know if any links do not work

Digital Workflows PDF
Contact
Photography and Art 1
Cinematography & Data Imaging Articles, followed by academic articles and articles by artists - then articles I've written ONLINE RESOURCES DISCUSSING DIGITAL MOTION IMAGING
High Definition and High Resolution Motion Imaging - Blog - 75000 words Flaxton
Sony Finally Wakes up to affordable 4k  
David Mullen ASC on Exposure Courtesy of the Author
IBC paper on HDR, HFR and HR capture and display Dr Mark Price
Quantel's recent article: The Tipping Point from Film to Digital Courtesy of the Company
Throwing some light on Digital Cinematography - Steve Shaw, Light Illusion Courtesy of the Author*
General articles on Cinematography - Art Adams DoP, San Fransico Courtesy of the Author
One DP's View, James Mathers, President and co-founder of the Digital Cinema Society, Los Angels Courtesy of the Author
The ASC IIF/ACES Image System as explained by Mike Most Courtesy of the Author
Lens Testing - Steven Gladstone DoP, New York Courtesy of the Author
CML Gothenberg Comparison Tests - Alexa, Red MX, Canon7D Courtesy of the Author
Understanding the Cameras Matrices - Art Adams Courtesy of the Author
IR Filters - Art Adams Courtesy of the Author
How to expose the Red One - Ted Schilowitz Public Post*
The Colour Space Conundrum, Part One Public Post
The Colour Space Conundrum, Part Two Public Post
Camera Filters - Ira Tiffen, US Public Post
Camera Filters - Paul Wheeler DoP, UK Public Post
Comparison of Arri Alexa and Red MX - Gunleik Groven Courtesy of the Author and CML
Exposure Bracketing on the Red One - Gunleik Groven Courtesy of the Author and CML
Exposure for Digital Cinematography - a debate Courtesy of CML
Peter Jackson on 48 fps on The Hobbit Public Post
CCD's vs CMOS Public Post
Decoding Digital Imagers: Part 1- Christopher Probst Public Post
Brightside HDR Monitoring system explained Public Post
Ansel Adams Zone System Wikipedia Article
Grading with RedCineX Courtesy Red
RedCineXPro - Overlook Courtesy Red
A visit to Chater Cameras, Berkeley California, 10th May 2012 Flaxton
Latest Post Production Workflows (June 2012) Public Post
High Speed Camera Quality Comparison Public Post
Digital Cinema Pocket Guides - $15 Public Post
Ansel Adams Zone System explained (to some degree) Public Post
What is a DP's Style? -Art Adams Public Post
Glossary of Video and File terms Coutesy of Vanderquest
Metaphysical HD - Steven Ball Courtesy of the Author
Making Space - Professor Sean Cubitt Courtesy of the Author
The Latent Image - Professor Sean Cubitt Courtesy of the Author
Notes on HD - Ed Atkins Courtesy of the Author
What is Digital Cinema ? Professor Lev Manovich Courtesy of the Author
The Language of New Media Professor Lev Manovich Courtesy of the Author
Win Wenders on 3D movie making Public Post
IMAX framing - Interesting posts from CML Courtesy CML
Some notes on the influence and interrelationship between Experimental Film & Artist’s Video Chris Meigh-Andrews Courtesy of the Author
Early Video Tapes: 1978-87 Chris Meigh-Andrews Courtesy of the Author
Pioneering Video Artist/Engineers & Electronic Imaging Technology: 1968-78 Chris Meigh-Andrews Courtesy of the Author
Without Thresholds: Contemporary Artist’s Video: Diversity of Form, Possibility and Potential Chris Meigh-Andrews Courtesy of the Author
In Darwin’s Garden Meigh-Andrews et al Courtesy of the Author
THE MONUMENT PROJECT (SI MONUMENTUM REQIUIS CIRCUMSPICE) Chris Meigh-Andrews Courtesy of the Author
The Contemporary Landscape of Video-Activism in Britain Steve Presence  
Maintaining a Critical Eye: The Political Avant-Garde on Channel 4 in the 1990's Steve Presence  
The Social Construction of the Meaning of Price Sarah Sparke  
Latest Peer-reviewed article: HD Aesthetics  
New understanding of the mimetic and the diegetic in the creation of art  
Technical issues in contemporary workflows in Digital Cinematography (Non PR)  
The Concept of Colour Space seen from the Practitioners Standpoint  
Time and Resolution, Experiments in High Definition Image Making  
Lighting a Jacobean Tragedy under candlelight  
Feeding the World, Creating an HD Installation to tour the world  
Some Notes on the Theory and Practice of Innovation in Theatre, Film, Electronic Cinematography, Digital and Television Education Cinematographers Mailing List
The Technology, Aesthetics, Philosophy and Politics of High Definition Video ASC
All articles and papers are available at Academia.edu BSC
Electronic Cinematography

Digital Cinema Society

Making Low Budgets work BBC Engineering
High Definition and High Resolution Imaging Blog
Cinematography Knowledge Transfer Main site
A verbatim History of High Definition Aesthetics and Technologies An online oral history
   
*Where I've used the term 'Courtesy of the Author' I've contacted the author for permission to link to their document, where I use the term 'Public Post', I make the assumption that as these documents are available for anyone to look at online - in that they're searchable on google - then the copyright owner has given their permission for them to be linked to.  

 

 

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