The impact of digital technologies on the production and consumption of moving images  2007-2016

 Consolidated Bibliography of Works Referred to in the Critical Commentaries
Research Applications
  • Flaxton T. (2006) High Definition Installations and Single Screen Pieces: An Investigation into the Actual, the Virtual and the Hyper Real, Fellowship Application Case for Support, AHRC Creative Research Fellowship 1 & 2
 
Research Artefacts
  • Flaxton T. (2008) In Other People’s Skins, installation exhibited in 8 Cathedrals in the UK and internationally
  • Flaxton T. (2008) Un Tempo Una Volta, installation exhibited internationally
  • Flaxton T. (2008) In Re Ansel Adams, installation exhibited internationally
  • Flaxton T. (2008) Portraits of Glastonbury Tor, installation exhibited internationally
  • Flaxton T. (2010) Portraits of the Arrow Tower, Beijing, installation exhibited internationally
 
Books & Chapters in Books
  • Donald M. (1991) Origins of the Modern Mind, Harvard University Press, USA
  • Donald, M. (2010) The Exographic Revolution: Neuropsychological Sequelae. In Malafouris L. & Renfrew C. (eds) The Cognitive Life of Things: Recasting the boundaries of the mind. Cambridge, UK, McDonald Institute Monographs
  • Flaxton,T. (2016), CitySpaceMindSpace: How to read Los Angeles: Banham and McLuhan in the light of Cognitive Neuro-scientific theories of comprehension. In Amayo Caldwell, G, Smith C and Clift, E, eds Digital Futures and the City of Today: New technologies and Physical Spaces. Intellect Books
  • Suderburg E, Renov M. (1995) Resolutions: Contemporary Video Practices, University of Minnesota Press
 
Articles
·      Chen Y, Zhao Y. (2015) Intergroup threat gates social attention in humans, http://dx.doi.org/10.1098/rsbl.2014.1055 Biol. Lett rsbl.royalsocietypublishing.org
  • Flaxton T. (2009) Time and Resolution, Experiments in High Definition Image Making, Journal of Media Practice 10.2 & 3, Intellect Books 1, 2 & 3
  • Flaxton T. (2009) The Technologies, Aesthetics, Philosophy and Politics of High Definition Video, Millennium Film Journal, Pub: The Millennium Film Workshop 1 & 2
  • Flaxton T. (2011) HD Aesthetics, Convergence Magazine, Sage
 
Co-Authored White Papers
·      Price, Bull, Flaxton, Hinde, Salmon, Thomas, Zhang. (2013) The Production of Higher Dynamic Range Video, Co-authored BBC Research and Development White Paper on HDR Production https://www.academia.edu/5125103/Production_of_Higher_Dynamic_Range_Video
 
Conference Papers
  • Flaxton T. (2009), The Concept of Colour Space as seen from the Practitioner’s Standpoint, Bristol University Colour Conference (Arnolfini)
·      Flaxton T. (2010) New Understandings of the Mimetic and Diegetic in the Creation of Art, Digital Art Weeks Conference paper (organised by ETH Zurich) Xi’an Academy of Fine Art
  • Flaxton T. (2011) Notes on the Developing Aesthetics of Digital Technology and its effects on Transmedial Disciplines, World University Network Symposium, Technologies of Transmediality, held by the University of Bristol
  • Flaxton T. (2012) The Cinematographers Eye, The Academic’s Mind and the Artist’s Intuition, Exhibiting Video Conference, University of Westminster
  • Flaxton T.  (2013) The Future of the Moving Image, International Symposium of the Electronic Image, Sydney University 1 & 2 (*and online article)
 
Online Resources