TERRYFLAXTON.COM
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
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David Lynch, Filmmaker

Born in 1946 in Missoula, Montana, David Lynch was raised in small-town America. After high school, he went to Boston to attend the School of the Museum of Fine Arts. Shortly after that, he planned a three-year trip to Europe to work on his art, but didn't take to it and left after 15 days. In 1977, he released his first film Eraserhead (1977), which, although not critically acclaimed, was noticed by many people, including Francis Ford Coppola, who was rumored to have screenings of it for his cast and crew on the Apocalypse Now (1979) set. After a stream of visually striking films such as Blue Velvet (1986), Lost Highway (1997) and Mulholland Drive (2001). These films and others, beginning with Blue Velvet (1986), and including his Twin Peaks (1990) T.V. series, feature what has now been added to signature Lynch features, such as vibrant colors, the use of dreams and montage to connect character thought and multiple emotions into one sequence. In addition to that, since Blue Velvet (1986), Lynch has gained the reputation of one of the foremost auteurs in the film industry, and one of the few living auteurs who continually defies cinematic convention. His films continually represent his ideal that films, representing life, should be complex, and in some cases, inexplicable. Due to his decisive innovation and the beautiful confusion of his films, he will always be recognized as if not one of the greatest film-makers, one of the most original. Lynch is an innovative director, and even if his films aren't necessarily realistic, they are real in their representation of what life is: a confusing, irrational series of events that have little purpose, and one makes one's own interpretation of each event, giving life one's own purpose. Lynch wants his films to resonate emotionally and instinctively, and for every person to relate and find its own understanding. As he said, "Life is very, very confusing, and so films should be allowed to be, too". David Lynch is original. He has done things in film-making that D.W. Griffith did in his day. David Lynch will never stop making beauty on the screen.

2012 Meditation, Creativity, Peace
(Documentary)
 2011 The 3 Rs (Short)
 2010 Lady Blue Shanghai (Short) (story)
 2007 More Things That Happened (Video)
 2007 Boat (Video short)
 2006 Inland Empire (written by)
 2002 DumbLand (TV Mini-Series short)
 2002 Does That Hurt You? (Documentary short)
 2002 Rabbits
 2002 The Short Films of David Lynch (Video documentary)
 2002 Darkened Room (Short)
 2001 Mulholland Drive (written by)
 1999 Mulholland Dr. (TV Movie)
 1997 Lost Highway (written by)
 1993 Hotel Room (TV Mini-Series) (3 episodes)
- Tricks (1993) ... (creator) - Getting Rid of Robert (1993) ... (creator) - Blackout (1993) ... (creator)   On the Air (TV Series) (3 episodes, 1992) (writer - 1 episode, 1992) (written by - 1 episode, 1992)
- Episode #1.7 (1992) ... (creator) / (writer) - Episode #1.6 (1992) ... (creator) - Episode #1.5 (1992) ... (creator) - Episode #1.2 (1992) ... (creator) - The Lester Guy Show (1992) ... (creator) / (written by)  1992 Twin Peaks: Fire Walk with Me (television series Twin Peaks) / (written by)
  Twin Peaks (TV Series) (26 episodes, 1990 - 1991) (written by - 3 episodes, 1990) (story - 1 episode, 1990)
- Episode #2.21 (1991) ... (creator) - Episode #2.22 (1991) ... (creator) - Episode #2.20 (1991) ... (creator) - Episode #2.19 (1991) ... (creator) - Episode #2.18 (1991) ... (creator) Show all 30 episodes  1990 Wild at Heart (screenplay)
 1988 Les Français vus par (TV Mini-Series documentary) (writer - 1 episode)
- The Cowboy and the Frenchman (1988) ... (writer)  1986 Blue Velvet (screenplay)
 1984 Dune (screenplay)
 1980 The Elephant Man (screenplay)
 1977 Eraserhead
 1974 The Amputee (Short)
 1970 The Grandmother (Short)
 1968 The Alphabet (Short) (writer)
 1967 Absurd Encounter with Fear (Short) (uncredited)