TERRYFLAXTON.COM
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    • The Present and The Past
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    • Transition 1981 - 1982
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    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
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    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
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      • Proposed Exhibition
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    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
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    • Work on Racism 1976 - 2000
    • Short Dramas
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    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
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David Stump ASC

David Stump brings over 25 years of experience as a Producer, Director, Director of Photography, Visual Effects Director of Photography, Visual Effects Supervisor and Effects Cameraman. He has extensive experience in high definition film and video photography, content creation, CGI and visual effects production. He has won an Emmy Award and an Academy Award for Scientific and Technical Acheivement. He is a full member of the American Society of Cinematographers, where he currently serves as Chair of the Camera Subcommittee of the ASC Technical Committee. He was also the founder of camera and equipment company Motion Control Rental Services.

He has photographed and supervised VFX work for every major studio and many independent production studios on feature film projects including James Bond 22 – A Quantum of Solace, Into the Blue, The Game of Their Lives, Garfield, X-Men 2, Sizzling Kung Fu Mice, Panic Room, The Bourne Identity, The One, Men of Honor, Pluto Nash, Hollow Man, X-Men, Navy Diver, Deep Blue Sea, Stuart Little, Soldier, Blade, U.S. Marshals, The Sphere, Contact, Batman & Robin, Mars Attacks!, Star Trek First Contact, Executive Decision, Mortal Kombat, Batman Forever, A Walk in the Clouds, Stargate, Clear and Present Danger, Exit to Eden, The Shadow, The Quick and the Dead, Wes Craven's Nightmare on Elm Street Part VII, Time Cop, Tall Tale, Double Dragon, Hot Shots! Part Deux, Ghost in the Machine, Dark Encounter, Free Willy, Toys, Batman Returns, Night Train, The Skateboard Kid, Doppelganger, Alien 3, Army of Darkness, Bill & Ted's Bogus Journey, Flight of the Intruder, Ghost Dad, Solar Crisis, Gremlins II, Karate Kid III, Rambo III, Beetlejuice, My Stepmother is an Alien, Adventures In Babysitting, Stand By Me, Runaway Train, Black Moon Rising, Ice Pirates, Jaws 3-D, The Man Who Wasn't There, Top Secret, The Last Dragon, and many others.

Television projects completed include Storm of the Century, The Shining, Science Fiction Channel, The Tower, Space Rangers, Darkman, Beverly Hills 90210, Grand, Miracle Landing, Quantum Leap, Something Is Out There, The Christmas Star, Poor Little Rich Girl, Murder By The Book, Oceans of Fire, The Day After, Greatest American Hero, Condor, Hollywood Fever, Adventure Kids, Sidekicks, Completely Off The Wall, Crackers and others. His first and second unit Director of Photography credits include; Spring Break ’83, Killer Pad, The Bronx Is Burning, The Trident, What Love Is, Southland Tales, Red Riding Hood, Daddy’s Boys and The Black Gate. He has also completed numerous broadcast, commercials and industrial projects for leading companies, major brand names and various leading advertising agencies. He is a member of the Producer’s Guild of America (PGA), the International Alliance of Theatrical Stage Employees (IATSE), Visual Effects Society (VES), the Society of Operating Cameramen (SOC), the Academy of Motion Picture Arts and Sciences (AMPAS), and the Academy of Television Arts & Sciences (ATAS).

KEY BOOK IN THE SUBJECT AREA:
Digital Cinematography: Fundamentals, Tools, Techniques and Workflows

David Stump, Affiliate Cinematographer
Video Interview with Dave Stump & Scott Billups
interview_with_david_stump_asc_.pdf
File Size: 1812 kb
File Type: pdf
Download File

Courtesy, Global Cinematography Institute
Video Interview with Yuri Neyman founder of GCI