• Terry Flaxton
    • Latest releases & exhibitions
    • Resurrection (for Jean Cocteau)
    • Flaxton Retrospective October 2023
    • RWA, FRPS, academic
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
  • Artworks, Documentaries, Installations
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd Home
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • Research & Innovation >
          • Research Streams of CMIR 2013 - 2017
          • Higher Dynamic Range Laboratory
          • Higher Dynamic Range Research
          • Practice as Research >
            • Practice as Research
            • PhD Information
            • BLINK
            • UWE active in new feature film - DoP Geoff Boyle, Visiting Professor
            • AHRC Creative Research Fellowship >
              • Output One
              • Output Two
              • Output Three
              • Output Four
            • Short Works of Art >
              • Aperture
              • Zagorsk
              • One Second to Midnight
              • Autumn Dusk Cafe Scene
              • Les Petites Cartes Postales de Beijing
              • Water Table/The Power of the Sea
              • CMIR RWA KWMC Bursary winners
          • Artistic development and its relationship to the technologies of the Moving Image
          • Selling the Immaterial in a Material World >
            • Artists Marque
            • Harry Blain, Ex Haunch of Venison on s[edition]
            • How to Collect Immaterial and New Media Art
          • DataMontage
          • CML/CMIR Camera Tests
          • Moving Image Knowledge Exchange Network
          • Radical Film Network
          • Interactive Documentary, developing knowledge exchange forms & a reassessment of cultural value >
            • An experiment in online interactivity
          • DotMov Museum of Moving Image
          • Artists Moving Image Exchange Network - AMEN
          • The Future of Display Technology
          • The Photographic Image
          • CML UWE Camera and Lens Tests
          • Collected text resources
        • The Verbatim History of Digital Cinematography
        • Verbatim Interviews
        • The Verbatim History of the Aesthetics and Technologies of Analogue Video
        • A History of Video Art
        • Papers
        • Leonardo: New Utopias in Data Capitalism
        • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013
        • Professor Duncan Petrie on the structure of film training in the UK
        • An introduction to 'Resolution'
        • An Introduction to Motion Capture
        • Projection Mapping
        • Cinematographers Discuss Their Role
        • The Neurocinematics of FIlm: Hasson et al
        • RGB-Z Depth Capture in real time
        • News >
          • News
          • Past Events held by CMIR >
            • AMPS & CMIR Conference 2016
            • CMIR:ONE December 2015 CentreSpace Exhibition
            • John Hopkins, Father of British Independent Video
            • Bristol Festival of Cinematography September 2015
            • Bristol Radical Film Festival 2015: Commemorating the 1975 First Festival of Independent British Cinema
            • CMIR 'Lighting Faces' Masterclass with Geoff Boyle
            • Higher Dynamic Range Laboratory
            • Symposium at Encounters Short Film and Animation Festival, Aesthetics/Politics/Activism/Art: What is Radical Now?
            • 'VIENNA-BRISTOL-RIGA: A JOURNEY THROUGH RADICALISM' at Encounters Short Film and Animation Festival
            • Visual Activism(s): Tactics, Technologies and Styles
            • The Films of Ben Smithard BSC, Bargehouse June 2014
            • Bristol Radical Film Festival presents: Superlative TV and 'Equal Temperament' (2014)
            • One Artists Journey - 2014 May at the RWA
            • 2014 CML/CMIR Camera Tests
            • The Films of Roberto Schaefer at Encounters 2013
            • Professor Duncan Petrie on the structure of film training in the UK
            • The Stuart Hall Project 18th February
            • ISEA 2013
            • Community Filmmaking and Cultural Diversity
            • Bristol Radical Film Festival
            • Oxford Radical Forum
            • Bristol Radical Film Festival presents: Bristol Palestine Film Festival Warm-up
            • Bristol Radical Film Festival presents: Benefit Bonanza Solidarity Screening in association with Side by Side LGBT Festival in Russia
            • Past Events Further Back
        • The Future of Display Technology
        • CMIR ONE >
          • 18 Seconds
          • BOUNCE
          • 7 seconds
          • 4 seconds
        • BSC Expo Presentation: Terry Flaxton
        • Hotels and map CineFest
        • People & Affiliations >
          • People & Affiliations
          • Affiliate Academics from other Universities >
            • Professor Jane Arthurs, Middlesex University
            • Dr Sarah Atkinson, University of Brighton
            • Professor Amanda Beech, Dean, School of Critical Writing, CalArts
            • Dr Vince Briffa
            • Cathy Greenhalgh, Principle Lecturer, LCC
            • Professor Sean Cubitt, Goldsmiths
            • Professor Stefan Grandinetti, Stuttgart Media University
            • Dr Leon Gurevitch, Victoria University of Wellington
            • Andrew Demirjian, Specialist Professor, Monmouth University, New York
            • Roberta Friedman Associate Professor, Moving Image Montclair University
            • Professor Julia Knight, University of Sunderland
            • Dr, Lev Manovich Professor, The Graduate Center, City University New York
            • Dr Kayla Parker, Lecturer in Media Arts Plymouth University
            • Professor Stephen Partridge, University of Dundee
            • Professor Duncan Petrie, University of York
            • Dr Marc Price, University of Bristol
          • Affiliate Cinematographers & Filmmakers >
            • Renny Bartlett, Producer, Director, Screenwriter
            • Karel Bata
            • Geoff Boyle, FBKS, Visiting Professor
            • Sharon Calahan ASC
            • Catherine Goldschmidt
            • Jack Hayter
            • Dave Riddet
            • Roberto Schaefer ASC, AIC, Visiting Professor
            • Jonathan Smiles, Workflow Specialist
            • Ben Smithard BSC
            • David Stump ASC
          • Affiliate Academics from UWE >
            • Dr Judith Aston
            • Terryl Bacon
            • Liz Banks
            • Judith Bracegirdle
            • Professor John Cook
            • Dr Charlotte Crofts
            • Abigail Davies
            • Dr Josie Dolan
            • Professor Jon Dovey
            • Katrina Glitre
            • Dr John Hodgson
            • Dr James Jackman
            • Susan Mcmillan
            • Rachel Mills
            • Alistair Oldham
            • Dr Shawn Sobers
            • Dr Gillian Swanson, Associate Professor
            • Estella Tincknell, Associate Professor
            • Dr Sherryl Wilson
          • Affliate Research Groups >
            • Bristol Vision Institute, University of Bristol
            • Creative Media Research Group, ACE, UWE
            • Digital Cultures Research Centre
            • Film and Television Studies Research Group, UWE
          • Affiliate Cultural & Cinematic Organisations and Producers >
            • Aardman Animations
            • Afrika Eye/Zimmedia
            • Encounters Short Film & Animation Festival
            • IMAGO: European Federation of Cinematographers
            • Royal West of England Academy
            • Knowle West Media Centre
            • Watershed Media Centre, Bristol
          • Affiliate Independent Researchers & Artists >
            • Andrew Buchanan
            • Mark Cosgrove
            • Caroline Norbury, Visiting Professor, ACE, UWE
            • Peter Donebauer
            • Charlotte Humpston
            • Andrew Kelly, Visiting Professor, ACE, UWE
            • RIk Lander
            • Dr Ben Sherriff
            • Deborah Weinreb
            • Lucy Williams
        • Glow
        • United Digital Artists
  www.terryflaxton.com
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Dr Josie DOlan
SeniOr Lecturer, Film Studies, UWE

 I am a senior lecturer in Film Studies who specialises in British cinema and TV, film histories and history on film, and women and film. All my teaching and research is informed by my graduate training in the politics of gender at Lancaster's internationally renowned Centre for Women's Studies; whilst being inflected through a British Academy post-doctoral fellowship with CIRCL (Centre for International Research: Childhood, Culture, Literature) at Reading University. I am supervising PhD candidates working on British biopics; children's castaway fiction; and Japanese photography of children.

I joined UWE in 2002 with a remit to work across Film and Cultural Studies, and was part of the team that developed the Film Studies programme. I am currently the Widening Particpation Co-ordinator for the Department of Arts and have previously taken the role of Assocaite Head of Department.

I am a founder member of the AHRC funded WAM (Women Ageing and Media) research network, I am also an expert advisor to ENAS (European Network of Aging Studies) and NANAS (North American Network of Aging Studies) and have been at the forefront of establishing Aging Studies within the academic community.

I am a founding member of WAM (Women Ageing and Media) an expert advisor to ENAS European Network of Ageing Studies; and to NANAS (North American Network of Aging Studies). In various ways each of these networks has a an interest in moving image.


Area of expertiseBritish Cinema is one of my research interests and I have collaborated with Andrew Spicer on a study of neglected director Anthony Simmons, and take an especial interest in the star, Anna Neagle. My main area of research and publication is film and ageing. I am co-editor (with Estella Tincknell) of Aging Feminities: Troubling Representations. In 2013 we also contributed to Labour's committee on Older Women in Public Life, whilst our evidence to Labour's Commission on Older Women in the Media was cited in its interim report.  http://www.yourbritain.org.uk/agenda-2015/policy-review/commission-on-older-women, My Publications
  • Dolan, J. (2013) Smoothing the wrinkles: Hollywood, “successful aging” and the new visibility of older female stars. In: Carter, C., Steiner, L. and McClaughlin , L., eds. (2013) The Routledge Companion to Media and Gender. London & New York: Routledge, pp. 352-363. ISBN 9780415527699 [In Press]

  • Dolan, J. (2013) Firm and hard: Popular culture, gendered stardom and the troubling embodiment of “successful aging”. In: Prieto-Arranz, José I., ed. (2013) De-Centring Cultural Studies: Past, Present and Future of Popular Culture. Newcastle upon Tyne: Cambridge Scholars Press, pp. 217-246. ISBN 978-1-4438-4476-5

  • Dolan, J. and Tincknell, E. (2013) Representing older women in the media: The key issues. Other. Labour Party, House of Commons.

  • Dolan, J. and Tincknell, E. (2012) Aging femininities: Troubling representations. Cambridge: Cambridge Scholars Press. ISBN 978-1-4438-3883-2

  • Dolan, J. (2012) ‘Stuff it’: Respectability and the voice of resistance in letter to Brezhnev.Journal of British Cinema and Television, 9 (2). pp. 247-261. ISSN 1743-4521

  • Dolan, J. (2012) 'It isn’t going to be like this, is it?': A celebration of age festival: Class, race and dis-identification. In: Dolan, J. and Tincknell, E., eds. (2012) Aging Femininities: Troubling Representations. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 69-82. ISBN 9781443838832

  • Dolan, J. (2012) 'The queen', aging femininity and the recuperation of the monarchy.Ageing Studies in Europe, 2 (1). pp. 39-52.

  • Dolan, J. (2010) Keynote conference presentation. ‘Firm and Hard: Old age, the “youthful” body and essentialist discourses’. In: IV SELICUP Conference: Past, Present and Future of Popular Culture: Spaces and Contexts , Palma, Spain, October, 2010. Palma, Spain: UIB

  • Dolan, J. and Spicer, A. (2010) On the margins: Anthony Simmons, 'The Optimists of Nine Elms' and 'Black Joy'. In: Newland, P., ed. (2010) Don't Look Now: British Cinema in the 1970s. Bristol: Intellect, pp. 79-91. ISBN 9781841503202

  • Dolan, J. (2010) The Queen, aging femininity and the recuperation of the monarchy. In: Swinnen, A. and Stotesbury, J., eds. (2010) Ageing, Perfomance and Stardom: Doing Age on the Stage of Consumerist Culture. LIT Verlag. ISBN 9783643501875

  • Dolan, J. (2009) Embodied reality: Contemporary biopics and the inflections of stardom. In: IMAGEing reality: Representing the Real in Film, Television and New Media, University of Navarra, Pamplona, Spain, 22-24 October 2009.

  • Dolan, J., Gordon, S. and Tincknell, E. (2009) The "postfeminist" biopic: Re-telling the past in The Hours, Sylvia and Iris. In: Carroll, R., ed. (2009) Textual Infidelities: Adaptations in Print and Visual Cultures. Continuum. ISBN 978-0826424648

  • Dolan, J. and Street, S. (2009) 20 million people can't be wrong: Anna Neagle and popular British stardom. In: Bell, M. and Williams, M., eds. (2009) British Women's Cinema. Routledge, pp. 34-48. ISBN 978-0415466967

  • Dolan, J. (2009) Comic-book adaptation. In: Framing Film: Cinema and the Visual Arts, University of Winchester, 6 September 2009.

  • Dolan, J. (2009) A(cute) animation: Miss Potter and the creative subject. In: Framing Films Conference, University of Winchester, 4-6 September 2009.

  • Dolan, J. and Spicer, A. (2009) On the margins: Anthony Simmons, the optimists of Nine Elms and Black Joy. In: Newland, P., ed. (2009) Don't Look Now: British Cinema in the 1970s. Bristol UK: Intellect, pp. 70-92. ISBN 9781841503202

  • Dolan, J. (2008) "It's not going to be like this is it?": Celebrating age festival 2008. In: Crossing Cultures: Woman, Aging and Media AHRC International Conference, University of Gloucestershire, Cheltenham, UK, 5 December 2008.

  • Dolan, J., Jenning, R., Garde Hansen, J., Gorton, K., Wilson, S. and Tincknell, E. (2008) Women, ageing and media workshops. In: AHRC funded Research Networks and Workshops: Women, Ageing and Media, http://insight.glos.ac.uk/researchmainpage/centres/wam/Pages/AHRCfundedResearchNetworksandWorkshopsProject.aspx, 2008.

  • Dolan, J. (2008) Visibility/ invisibility. In: Women, Ageing and Media AHRC Research Network, St Matthias Campus, UWE, Bristol, 10 September 2008.

  • Dolan, J. and Spicer, A. (2008) The Outsider: Anthony Simmons.Journal of British Cinema and Television. ISSN 1743-4521

  • Dolan, J. (2007) Post-war Englishness: Maytime in Mayfair, utopian visions and consumer culture. In: Hart Kingswinford, C., ed. (2007) Approaches to Englishness: Differences, Diversity and Identities. Midrash Publishing, pp. 45-53. ISBN 9780955124419

  • Dolan, J. (2004) Aunties and uncles: The BBC's Children's Hour and liminal concerns in the 1920's.The Historical Journal of Film and Radio and Television, 23 (4). pp. 329-339. ISSN 0143-9685

  • Dolan, J. (2003) The voice that cannot be heard: Radio/broadcasting and "the archive".The Radio Journal International Studies in Broadcast and Audio Media, 1 (1). pp. 63-72. ISSN 14764504

  • Dolan, J. (2002) Anchorage and play in Frenchman's Creek: Children, gender and national identity.The Yearbook of English Studies, 32. pp. 95-109. ISSN 0306-2473