TERRYFLAXTON.COM
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
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Dr Sherryl Wilson
Senior Lecturer, Culture and Media Studies, UWE

Sherryl Wilson’s research area is in television and she has explored both contemporary and historical programming.  Her published work includes material that explores the presentation of selfhood on TV talks shows, the representation of older women in television drama, images of mental illness as social critique. Recent research includes work on a project entitled ‘No Such Thing as Society?’ (http://www.nosuch-research.co.uk/) that examines shifting notions of the public across a range of broadcast material during the 1980s under the Thatcher governments, and she is an active participant in the Women, Ageing and Media (WAM) research group.  (http://insight.glos.ac.uk/researchmainpage/centres/wam/Pages/default.aspx) Future research will be into audiences’ social use of second screens while watching television and with particular being attention on the ways in which (if) older audiences engage with multi-platform viewing. Area of expertiseTV talk shows; television drama; television history; ageing and the media; mental illness and media represnetation.
  • Wilson, S. (2014) She’s been away: Ageing, madness and memory.Aging Studies Series entitled “Alive and Kicking at All Ages: Cultural Constructions of Health and Life Course Identity.”, 5. [In Press]

  • Holland, P., Chgnell, H. and Wilson, S. (2013) Broadcasting and the NHS in the Thatcherite 1980s: The challenge to public service. UK: Palgrave MacMillan. ISBN 978-0-230-28237-7

  • Wilson, S. (2012) Beyond patriarchy: Six Feet Under and the older woman. In: Dolan, J. and Tincknell, E., eds. (2012) Ageing Femininities: Troubling Representations. Cambridge Scholars Press. ISBN 9781443838832

  • Wilson, S. (2012) Dramatising madness: In two minds and 1960s counter-cultural politics.Transgressive Culture, 2 (1). pp. 147-165. ISSN 2043-7102

  • Wilson, S. (2012) Representations of health care in the age of Thatcher.Critical Studies in Television, 7 (1). pp. 13-28. ISSN 1749-6020

  • Holland, P., Chignell, H., Eglezou, G. and Wilson, S. (2010) There’s no such thing as society?: A study of broadcasting and the public services under the three Thatcher governments, 1979-1992. No Such Research [AHRC Funded Project].

  • Wilson, S. (2009) Book review: Janice Peck, The Age of Oprah: Cultural Icon for the Neoliberal Era. Paradigm Publishers, 2008.Critical Studies in Television, 4 (2). pp. 137-140.

  • Wilson, S. (2009) Angels.Videoactive [online].

  • Wilson, S. (2009) Television talk shows.Videoactive [online].

  • Dolan, J., Jenning, R., Garde Hansen, J., Gorton, K., Wilson, S. and Tincknell, E. (2008) Women, ageing and media workshops. In: AHRC funded Research Networks and Workshops: Women, Ageing and Media, http://insight.glos.ac.uk/researchmainpage/centres/wam/Pages/AHRCfundedResearchNetworksandWorkshopsProject.aspx, 2008.

  • Wilson, S. (2007) It was a "mascara runnin’ kinda day": Oprah Winfrey, confession, celebrity and the formation of trust. In: Bakir, V. and Barlow, D., eds. (2007) Communication in the Age of Suspicion: Trust and the Media. Basingstoke, Hampshire: Palgrave Macmillan, pp. 167-176. ISBN 978-0230002548

  • Wilson, S. (2006) White picket fences, domestic containment and female subjectivity: the quest for romantic love. In: McCabe, J. and Akass, K., eds. (2006) Reading Desperate Housewives. I.B. Tauris, pp. 144-155. ISBN 978-1845112202

  • Wilson, S. (2005) Real people with real problems?: Public service broadcasting, commercialism and Trisha. In: Johnson, C. and Turnock, R., eds. (2005) ITV Cultures: Independent Television Over Fifty Years. Basingstoke: Open University Press, pp. 159-176. ISBN 9780335217298

  • Wilson, S. (2004) ‘No need for fear or secrets’: Ruth Fisher and grotesque realism in Six Feet Under.The Scholar and Feminist Online, 3 (1). ISSN 1558-9404

  • Wilson, S. (2003) Oprah, celebrity and formations of self. Palgrave Macmillan. ISBN 978-1403916815