TERRYFLAXTON.COM
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions

Dr Steve Presence

Steve is a Research Associate at CMIR. He has published on a range of topics, including political film culture, documentary, British cinema and the industrial production of film and television. He is the founder and co-director of the Bristol Radical Film Festival, convenor of the Radical Film Network (RFN) and Principal Investigator on the RFN’s first funded project, ‘Sustaining Alternative Film Cultures’, a two-year study funded by the Arts and Humanities Research Council. Steve is also co-editor of the Journal of Media Practice’s ‘Screenworks’ project, a peer-reviewed platform for screen-based practice-as-research, and is part of the British work-package of ‘SiFTI’ (Success in the Film and Television Industries), a three-year European research partnership investigating production cultures in the film and television industries.

He has taught on a wide variety of undergraduate modules, including: British Film and TV Cultures; British National Cinemas; Currents in Film Theory; Dissertation; Film Cultures; Hollywood; Journalism and Public Communications and Protest, Policing and Public Order.  
Picture

         PUBLICATIONS

Book chapters and journal articles:
Forthcoming: 'Autonomy and Dependency in Two Successful UK Film and Television Companies: An Analysis of RED Production and Warp Films'. Film Studies, no: 14, Special Issue, Institutions and Agency.

Forthcoming: ‘Reel News in the Digital Age: Radical Video-Activism in Britain’, in Yannis Tzioumakis & Claire Molloy, eds., Film and Politics. London: Routledge. 

Forthcoming: ‘The Contemporary Landscape of Video-Activism in Britain’, in Ewa Mazierska and Lars Kristensen, eds., Marx and Moving Images of Activism. Oxford and New York: Berghahn.

 (2014): ‘Maintaining a Critical Eye: Oppositional Documentary on Channel 4 in the 1990s’ in Laura Mee and Johnny Walker, eds., Cinema, Television and History: New Approaches. Newcastle Upon Tyne: Cambridge Scholars Press, pp. 85-101.

(2012). ‘An Investigation of Affect in the Cinema: Spectacle and the Melodramatic Rhetoric in Nil by Mouth’. Frames Cinema Journal [online]. Issue 2. Available from: http://framescinemajournal.com/article/an-investigation-of-affect-in-the-cinema-spectacle-and-the-melodramatic-rhetoric-in-nil-by-mouth/ [accessed: 22/11/2012]. 

(2011). ‘Rebellious Affects in the Battle of Stokes Croft’. Cinemascope [online]. Issue 16, 169-76. Available from: http://cinemiz.net/cifj/?p=169 [accessed 26/09/2011].

Your browser does not support viewing this document. Click here to download the document.
Reviews, reports and magazine articles:
Forthcoming: ‘The Cinema of Michael Winterbottom by Deborah Allison’ in Film International.

(2014) ‘The Radical Film Network’ in Three-D: The MeCCSA Magazine, Issue 21, Nov.

(2014) ‘The Lady’. Journal of American Studies of Turkey, Vol. 1, No. 34, Mar.

(2013): ‘Migration Documentary Films in Post-War Australia by Liangwen Kuo’ in WorkingUSA: The Journal of Labor and Society, Vol. 16, No. 4, Dec.

(2012). ‘Report: Bristol Radical Film Festival’. Film International [online]. Available from: http://filmint.nu/?p=4945 [accessed 12/06/2012].

With Matthew Robinson (2011). ‘British Radical Screens: Symposium Report’. Journal of British Cinema and Television [online]. 8 (1) pp. 133-36. Available from: http://www.euppublishing.com/doi/pdfplus/10.3366/jbctv.2011.0010 [accessed: 23/02/2011].

(2010). ‘Soul Power’. Film International [online]. 8 (6). Available from: http://www.intellectbooks.co.uk/journals/view-Article,id=10526/. [accessed: 11/02/2010].


CONFERENCE PAPERS


‘“Inward Industry Engagement”: Exploring Production Cultures in British Film and Television’, Challenging Media Landscapes Conference, MediaCityUK, Salford, Manchester, 16th November 2015.

Invited Speaker: '"One Screening Away From Disaster": Politics, Chaos and Commitment in the Radical Film Network’s Exhibition Sector', Screen Seminar, University of Glasgow, 15th October 2015.

'"The general public don’t need to know who we are. We’re building a profile for the industry as a whole’: Inward Engagement in the UK Film and Television Industries', Media Engagement Conference, Lund University, Sweden, 19th March 2015.

Invited Speaker: 'Can Indie Docs Change the World?', Goldsmiths Media Forum, Goldsmiths, University of London, 23rd October 2014.

'Laying Foundations: the Independent Filmmakers’ Association and Radical Film Culture Today', Independent States Conference, Edge Hill University, Liverpool, 4-5th September 2014.

Invited Speaker: ‘Success in the Film and Television Industries (SiFTI): Methodology and Initial Findings’, Industrial Approaches to Media: A Methodological Gateway to Industry Studies, University of Nottingham, 5th June 2014

‘A Tale of Two Avant-gardes: Politics, Aesthetics and Political Film Networks’, International Communication Association Annual Conference 2014, Seattle Sheraton, USA, 22nd-26th May 2014

‘Film Festivals, Audiences and Social Change: The Bristol Radical Film Festival 2014’, Radical Readings/Radical Texts: Politics, Spectatorship, and the Moving Image, Canterbury Christchurch University, Kent, 15th March 2014

‘Community Filmmaking, Activism and the UK Radical Film Network’, Community Filmmaking and Cultural Diversity Conference, BFI, London, 22nd-23rd January 2014

‘An Investigation of Affect in Social-Realist Cinema: Spectacle and the Melodramatic Rhetoric in Nil by Mouth’, Film and Media 2013, Institute of Education, London, 27-29th June 2013

‘Activism on the Airwaves: Radical Documentary on Channel 4 in the 1990s’, Channel Four and British Film Culture: 30th Anniversary Conference, BFI, London, 2nd November 2012

‘Reel News: Radical Video-Activists in Britain Today’, Documentary Now!, University College London, 20-21st June 2012

Invited speaker: ‘Film Festivals and Activism’, Liverpool University, Victoria Gallery and Museum, Brownlow Hill, 9th June 2012

Invited speaker: ‘Activist Film: Theory and Practice’, Cultural Activism, Digital Cultures Research Centre seminar, Bristol, 2nd May 2012

Invited speaker: ‘Activism and Film: How Film Can (Help to) Change the World’, InsideFilm Film Education series, BFI, London, 20th April 2012

‘Maintaining a Critical Eye: Oppositional Documentary on Channel 4 in the 1990s’, Re-thinking Cinema and Television History, De Montfort University, Leicester, 3rd April 2012

‘The Contemporary Landscape of Video-Activism in Britain’, Marx at the Movies, University of Central Lancashire, Preston, 16-17th March 2012

Invited speaker: Post-screening Panel Discussion, Chronicle of Protest (Michael Chanan, 2011), The Cube Microplex, Bristol, 27th May 2011

‘“The News You Don’t See on the News”: Undercurrents and Britain’s Video-Activist Movement’, Documentary Now!, University of Westminster, London, 28-30th January 2011

Invited speaker: ‘“Political” Documentary in Britain: Technology, Society and Film’, Plymouth Arts Centre, 30th November 2010

‘Politics, Aesthetics, and Technology: Video and the 1984/85 Miners’ Strike’, British Radical Screens Symposium, Arnolfini Gallery, Bristol, 3rd September 2010

CONFERENCE AND EVENT ORGANISATION


'Sustaining Alternative Film Cultures: Event 1', Liverpool Radical Film Festival, 23rd October 2015.

Bristol Radical Film Festival 2015, 10-11th October 2015.

Bristol International Festival of Cinematography, Arnolfini and Watershed, 16-18th September 2015

New Directions and Film and Television Production Studies: 2-Day Conference, Watershed Cultural Cinema and Digital Creativity Centre, Bristol, 14-15th April 2015

Political Cinema in the 21st Century: Conference, Exhibition and Launch Event for the Radical Film Network, Birmingham City University and Vivid Projects Gallery, Birmingham, 6-8th February 2015

'Aesthetics/Politics/Activism/Art: What is Radical Now?', symposium at Encounters Short Film and Animation Festival, September 21st 2014.

Bristol Radical Film Festival 2014, March 2014

Curator-Producer, Encounters Short Film and Animation Festival, Fringe Programme 2014

Bristol Radical Film Festival 2013, February 2013

British Radical Screens II: An Evening with Rod Stoneman, ‘Early Channel 4: Political Television?’, UWE Bristol, November 2012

Rebels, Radicals and Revolutionaries: Radical Filmmaking Around the World, Summer School, UWE Bristol, June 2012

Bristol Radical Film Festival 2012, February 2012

Bristol Indymedia Film Night (monthly public event), 2010-2014

Venezuela: Myth and Reality: One-Day Symposium, UWE Bristol, October 2009