TERRYFLAXTON.COM
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    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
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    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
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    • Artworks, Documentaries, Installations
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      • Proposed Exhibition
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    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
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    • Work on Racism 1976 - 2000
    • Short Dramas
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    • An Early History of Video Art in the UK
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    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
Picture
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Dr Vince Briffa
University Of Malta

Vince Briffa is a researcher and multi media artist. He produces gallery and site-specific artwork, objects and installations which integrate drawing, painting, text, photography, sculpture and the moving image. He is also a curator of contemporary art exhibitions, guest writer for various local and international publications and organiser of discussions, exhibitions and art residencies. He was awarded a PhD by the University of Central Lancashire in the UK in 2009 and an MA in Fine Arts with distinction from the University of Leeds in 2000. He was also artist in residence at the Edinburgh College of Art, Scotland in 1996.

Briffa’s research area is Contemporary Conceptualism. Having studied drawing and painting as well as digital media, he investigates the integration of digital media and traditional artistic practices to establish a vehicle that seamlessly communicates the artistic concept. Apart from notions that draw from contemporary artistic and aesthetic concerns, his trans-mediatic work often integrates approaches and concerns from the areas of sociology, advertising, film studies, literature and philosophy.

Over the past thirty five years, Briffa’s work has been exhibited in some of the world’s most prestigious museums and galleries. He has also been chosen to represent Malta in many international exhibitions, including the Venice Biennale (1999) amongst others, and his work forms part of many local and international private and public collections.

 As an academic, he is an Associate of the Electronic and Digital Arts Unit (EDAU) of the University of Central Lancashire, an affiliate of the Centre for Moving Image Research, University of the West of England, Bristol, and a visiting academic at Contemporary Art Practice, Leeds University in the UK. He is also the external examiner for the Bradford Film School, Teesside University, UK.

 Since his appointment as Head of Department of Digital Arts within the Faculty of Media and Knowledge Sciences in 2011, Vince has written, taught and led a Master of Fine Arts (MFA) in Digital Arts, which is now in its fourth cohort, and a Bachelor of Fine Art (BFA) in Digital Arts which is currently in its second year. He also supervises Practice-based Master’s Projects and Dissertations, Master’s by Research candidates and Undergraduate dissertations. He also lectures on the MaKS Bachelor of Communications (Hons) undergraduate degree, on the Foundation Diploma in Design of the Faculty of Built Environment and on the B.Ed. (Hons) course of the Faculty of Education. In 2011, Briffa also introduced and organized the DigiMaks, practice based evening lectures for the Faculty which is now also in its fourth year.

 Vince Briffa has been involved in the creative industries for the past thirty years and was instrumental in launching computer graphics for television broadcast in Malta in the late 1980s.

 

Research Interests: Contemporary Conceptualism, Art and Design Practice and Theory, Video Art and Interactive Media Art, New Imaging Technologies and Screen Culture


PERSONAL EXHIBITIONS

Graphic Works - The American Ambassador’s Residence, Attard, Malta (1979)

Early Works - B.H. Gallery, St. Paul’s, London (1985)

Selected Works - Museum of Fine Arts, Valletta, Malta (1991)

Selected Paintings - Galerie Annelise, Valletta, Malta (1992)

Voyage - New Gallery, Auberge de Provence, Valletta, Malta (1994)

Works - Gallery Glage - Konigstein, Germany (1995)

Relics - Museum of Fine Arts, Valletta, Malta (1998)

Tabernacle for Voyeurs - Museum of Fine Arts, Valletta, Malta (1999)

48th Venice Biennale - Malta Pavilion, Le Tese dell’Arsenale, Venice, Italy (1999)

Merry-go-round - An interactive sculpture - The University Campus, Tal-Qroqq, Malta (1999)

Hermes - St. James Cavalier Centre for Creativity, Valletta, Malta (2000)

Three Pieces - The outer building, Museum of Modern Art, Vaduz, Liechtenstein (2001)

Amen - Nemmen - The “Johanniterkirche”, Feldkirch, Austria (2002)

Hermes - The Sacristy, “Johanniterkirche”, Feldkirch, Austria (2002)

Nixtieq… - Attard Historic Centre, Malta (2002/3)

Immigrant - Museum of Fine Arts, Valletta, Malta (2002/3)

Space for Reflection - Salesian Oratory, Sliema, Malta (2003)

Immigrant - Only Atelier, Vienna, Austria (2003)

Immigrant - Queen Street Gallery, Belfast, N. Ireland (2004)

Immigrant - Villa Manin Centre of Contemporary Art, Udine, Italy (2004/5)

re:public - The Vision Centre, Cork, Ireland (2005)

Hermes - Galerie der Schwarze Punkt, Konstanz, Germany (2006)

Body of Glass – After Caravaggio - The “Johanniterkirche”, Feldkirch, Austria (2006)

Playing God - The Preston Minster, Preston, England (2007)

Body of Glass – After Caravaggio - Auberge d’Italie, Valletta, Malta (2007)

Heterotopia - Gallery No. 68, Valletta, Malta (2009)

Terrain Vague - St. James Cavalier, Centre for Creativity, Valletta, Malta (2011)

Merry-go-round - Interactive Sculpture, Larnaca Airport, Larnaca, Cyprus (2012)

Logos - Sta. Barbara church, Valletta, Malta (2013)

Kiss the Sky - Pjazza Teatru Rjal, Valletta, Malta (2014)


SELECTED COLLECTIVE EXHIBITIONS

Contemporary Art Exhibition - Cathedral Museum, Mdina, Malta (1982)

Ggajta - British Legion and Ta’ Cenc Hotel, Gozo (1983)

Maltafest - Auberge de Provence, Valletta, Malta (1983-1990)

Royal Academy Summer Exhibition - Piccadilly, London (1984)

Marriott Hotels Contemporary Art Exhibition - Christie’s Sales Rooms, London (1985)

Chenil Galleries Contemporary Painters - Kings Cross, London, England (1985)

Italian and Maltese Artists - Hotel Phoenicia, Floriana, Malta (1986)

Mostra Internazionale d’Arte - Museo del Risorgimento, Rome (1988)

The Art of a Rising Generation - Chamber of Commerce, Valletta, Malta (1988)

Maltese Artists in Florence - Galleria Renzo Spagnoli, Florence, Italy (1989)

Malta -  25 Sena Indipendenti - Auberge de Provence, Valletta, Malta (1989)

Inaugural Exhibition - The Gallery, Sliema, Malta (1990)

Maltese Art - Cairo and Alexandria (1991)

Malta Week - Moscow (1991)

Maltese Contemporary Art - Travelling Exhibition, Germany (1992/3)

European Paintings - Gallery 100, St. Julians, Malta (1992)

Iljieli Mediterranji - In-Nudo fl-Arti Maltija - Floriana, Malta (1993)

Contemporary Sacred Art in Malta - Mdina, Malta (1994)

Iljieli Mediterranji - Dan...Din...Jien,  Floriana, Malta (1994)

Expressions ‘94 - AZAD, Casa Pereira, Valletta, Malta (1994)

Gallery Glage - Konigstein, Germany (1994)

Works - Institute of Visual Arts, Valletta, Malta (1995)

Woman in Maltese Art - Auberge de Provence, Valletta, Malta (1995)

1st Biennale of Malta - Valletta, Malta (1995)

Maltafest - Valletta, Malta (1996)

Kreativa - Museum of Fine Arts, Valletta, Malta (1996)

Contemporary Christian Art - Mdina, Malta (1996)

Maltafest - Valletta, Malta (1997)

Euromed Conference - Valletta, Malta (1997)

WTDC Conference - Valletta, Malta (1998)

Labyrinth Gallery - Valletta, Malta (1998)

Re interpreting Preti - Museum of Fine Arts, Valletta, Malta (1999)

From Hagar Qim to the Ring of Brodgar - Maritime Museum, Cottonera, Malta (2000)

25th Anniversary of the Republic of Malta Exhibition - Gallerija il-Foyer, National Labour Centre, Hamrun, Malta (2000)

Edinburgh Festival - City Art Gallery, Edinburgh, Scotland (2000)

Year Zero - Galeria d’Art Zero, Barcelona, Spain (2000)

Millennium Celebrations - Floriana, Malta (2000)

MAFA Degree Show - Bretton Hall College, Wakefield, England (2000)

UBER - Portomaso, Paceville, Malta (2002)

Cityspaces - YMCA Valletta Festival, Malta (2002)

Borders - Pinto Wharf, Valletta, Malta (2003)

Invisible Cities - St. James Centre for Creativity, Valletta, Malta (2003)

La Mostra Impossibile - Birgu, Malta (2003)

Body Works - Pierides Museum of Contemporary Art, Nicosia, Cyprus (2004)

Instant Europe - Villa Manin Centre of Contemporary Art, Udine, Italy (2004/5)

Collective - MOYA, Vienna, Austria (2005)

Oasis International - Japanese and Maltese Artists - Mediterranean Conference Centre, Valletta, Malta (2006)

Crossings - Malta, Cyprus, France - Travelling Contemporary Collective Exhibition (2006/7)

Selfportrait - A Show for Bethlehem - Show for Peace - Casoria Contemporary Art Museum, Naples, Italy and MAC - Museo de Arte Contemporáneo de Santa Fe, Argentina (2006/7)

Search for a Space - Various Venues, Malta (2007)

Caravaggio - quote... unquote - Various Venues, Malta (2007)

Visions in the Nunnery - The Nunnery Gallery, Bow Arts Trust, London, England (2007)

The Philosophical Brothel - St. James Centre for Creativity, Valletta, Malta (2007)

6collabor8 - Palais Liechtenstein, Feldkirch, Austria (2007)

6collabor8 - The Citadel, Rabat, Gozo, Malta (2007)

Analogue and Digital - Fieldgate Gallery, London, England (2007)

Watch - Museum of Fine Art, Valletta, Malta (2008)

Sea Dreaming - St. James Centre for Creativity, Valletta, Malta (2008)

Scent - St. John’s Cavalier, Valletta, Malta (2008)

Eighteighteen - Malta Contemporary Art, Marsa, Malta (2008)

Sounds and Visions - Tel Aviv Museum of Modern Art, Israel (2009)

Ten - Gallery No. 68, Valletta, Malta (2009)

The Life Model - Between Nude and Naked - Gallery No. 68, Valletta, Malta (2009)

hello... @ ART PRAGUE 2009 - Art Prague, Prague (2009)

With Love? From Me to You - The James Taylor Gallery, London (2010)

I fought the X and the X won - National Museum of Fine Arts, Cluj, Romania and National Museum of Fine Arts, Valletta Malta (2011)

Festival Rues d’été - Graulhet, France (2011)

Wiċċ imb Wiċċ (Contemporary Self Portraiture) - St. James Centre for Creativity, Valletta, Malta (2012)

Stemperando - Torino, Cosenza, Roma, Italy (2012-3)

Identita’ - AZAD, Republic Street, Valletta, Malta (2014)


SELECTED CURATORIAL EXHIBITIONS

Collective Works - Institute of Visual Arts, Valletta, Malta (1995)

Kreativa - Museum of Fine Arts, Valletta, Malta (1996)

Uncertain Objects - Paintings by J. Michael Anderson - Museum of Fine Arts, Valletta, Malta (2001/2)

I feel guilty - Video and Installation by Ian Attard - St. James Cavalier Centre for Creativity, Valletta, Malta (2004)

The A to Z of family planning - Graphic Art by Marco Scerri - St. James Cavalier Centre for Creativity, Valletta, Malta (2004)

[R][R][F]2005--->XP/VideoChannel - curator for Maltese Participation – Memory & Identity, Cologne, Germany (2005)

Digital Discourse - An International Digital New Media exhibition for the Commonwealth Heads of Government Meeting, Malta, November 2005 - St. James Cavalier Centre for Creativity, Valletta, Malta (2005)

Borges and Peccata Mundi - Prints by J. Michael Anderson - St. James Cavalier Centre for Creativity, Valletta, Malta (2007)

Artifecture - A START initiative - Malta Today newspaper (2007)

Analogue - (co-curator) Pioneering Video from UK, Canada and Poland 1968-88 - St. James Cavalier Centre for Creativity, Valletta, Malta (2007)

Watch - A collaborative exhibition with the Unit for Contemporary Art Practice, Leeds University - The National Museum of Fine Arts, Valletta, Malta (2008)

Rencontres Arles - curator for Maltese participation, Arles, France (2008)

Austin Camilleri & Pawl Carbonaro - curator for the two artist show at the Münchner Künstlerhaus, Munich (2009)

Unshackled Transformation - co-curator St. James Cavalier Centre for Creativity, Valletta, Malta (2011)

Valletta Photography Festival, co-curator, various venues in Valletta and Auberge d’Italie, Valletta, Malta Malta (2011)

H-ardcore - Contemporary Art by Caesar Attard, St. James Cavalier Centre for Creativity, Valletta, Malta (2012)

Forces - Ceramics by George Muscat, St. James Cavalier Centre for Creativity, Valletta, Malta (2013)

Re-Visit, the Contemporary Face of Faith - Seven interventions in seven churches, Valletta, Malta (2013)

Jose Manuel Ciria - St. James Cavalier Centre for Creativity, Valletta, Malta (2013)

Art Project Ġgantija 2013 - Victor Agius and Mariella Cassar - Ġgantija Temples, Gozo  (2013)

Tampered Evidence - co-curator, Blitz gallery, Valletta, Malta (2013)

Pyrokinesis - paintings by David Xuereb, 75, Abate Rigord Street, Ta’ Xbiex, Malta (2013)

Eccentricks - sculpture by Emanuel Bonnici, St. James Cavalier Centre for Creativity, Valletta, Malta (2014)

Made in MT: Maltese Art Now - Malta House, Brussels, Belgium (2014)

Art project Ġgantija 2013 Final Exhibition - Victor Agius - St. James Cavalier Centre for Creativity, Valletta, Malta (2014)

Selfie - Żigużajg Festival, St. James Cavalier Centre for Creativity, Valletta, Malta (2014)

 

PAPERS, ESSAYS AND TALKS

The Art of J. Michael Anderson – Exhibition Catalogue, Museum of Fine Art, Malta 2000

Memory, Sight and Expectation - The Moving Image as Continuous Memory - M.A. Thesis Dissertation, Leeds University, UK, 2000

Immigrant - Exhibition Catalogue, Museum of Fine Art, Malta 2003/4

Nixtieq… On Fine Art and the Advertising Billboard - Exhibition Catalogue, Attard, Malta 2004

I Feel Guilty - An Introduction - Exhibition Catalogue, St. James Centre for Creativity, Malta 2004

The A to Z of Family Planning - An Introduction - Exhibition Catalogue, St. James Centre for Creativity, Malta 2004

Maltese Contemporary Art - Paper Presentation - Artists in Transit Conference; Rotterdam, Holland - Oct 2004

Absence as Presence - Reflections on the body of work entitled Immigrant - The Queen Street Studios, Belfast, Northern Ireland, 2004

Contemporary Practice - a Presentation of Work - The Unit for Contemporary Art Practice, The University of Leeds, UK, 2005

Digital Discourse - Curator’s Introduction - Exhibition Catalogue, St. James Centre for Creativity, Malta 2005

Playing God - On interactive database video narratives - Paper Presentation - The Electronic and Digital Art Unit, The University of Central Lancashire, Preston, UK, 2006

Alternative Journeys - Paper Presentation - Crossings Conference - The University of Amiens, France, 2007

The body we own and the body we are - Quoting Caravaggio - Exhibition Catalogue, The Malta Council for Arts and Culture, Malta 2007

Amid the Mundane and the Extreme, NY Arts Magazine, Vol 13 No. 11/12, Nov. 2008, pp. 98-99.

No. 68 Redprints: The house that is destined for memories and the memories that are meant for a house, Alexandra Pace: Redprints exhibition catalogue, 2008.

Ebba’s Sketchbook, Ebba von Fersen Balzan, Choppy Books, 2008, p. 177.

Choosing Malta’s photographers for the “Rencontres de la Photographie d’Arles”, Lensculture, Photography and Shared Territories, Summer 2008.

The (inter)national (inter)face of (inter)action – a look at some of the technologically interactive works at the 52nd International Venice Biennale, Art In-Sight: Artists’ Film, Video and Installation, Filmwaves, Issue 35, Obraz Productions Ltd., Spring 2008, pp. 14-18.

Projected Visions - Video Art in Malta - Apollonia, 2009

The Poetics of Poiesis  - Austin Camilleri & Pawl Carbonaro exhibition catalogue - Münchner Künstlerhaus, Munich, 2009

Between a Kiss and the Naked Truth, ‘The Live Model – between Nude and Naked’ exhibition catalogue, Malta Arts Festival, 2009, pp. 24-31.

Introduction, Valletta Photographic Festival, Valletta, 2011.

Terrain Vague, ‘Terrain Vague’ Exhibition Catalogue, St. James Cavalier Centre for Creativity, Malta, 2011.

Franklin Furnace, ‘Franklin Furnace’ book recension, The National Museum of Fine Art, April, 2011.

Seeing is Believing, paper/talk at the National Museum of Fine Arts, Malta, March, 2011.

Only, Norbert Attard website, 2012.

Where are you from? Norbert Attard website, 2012.

Contemp(t)orary Art, paper/talk at Palazzo Falson Heritage House, June, 2012.

The Invention of the Frame, ‘I yam what I yam – l-Invenzione’ film launch, St. James Cavalier Centre for Creativity, Malta, October, 2012.

The place-moment: a time-marching-on-the-spot as witnessed by the constantly displaced view of the photographic camera, Soul Searching – Sergio Muscat, 2012.

The Matter of Moments and the Moments that Matter, ‘Traces of Traces’ exhibition catalogue, St. James Cavalier Centre for Creativity, Malta, 2012, pp. 4-5.

The space between clouds, Shooting Society – Documenting Contemporary Life in Malta (C. Borg, R. Vella eds.), Midsea Books, 2012, pp. 40-43.

H is for Human, ‘H-ardcore’ exhibition catalogue, St. James Cavalier Centre for Creativity, Malta, 2012, pp. 4-5.

Unni Askeland exhibition, talk - National Museum of Fine Arts, Valletta, Malta, 2012.   

Reckoning the Forces, ‘Forces’ exhibition catalogue, St. James Cavalier Centre for Creativity, Malta, 2013, pp. 2-5.

Art Project Ġgantija, 2013, Introduction to the exhibition catalogue, Ġgantija Art Project, Gozo, Malta, 2013.

Re-Visit, The Peter Serracino Inglott talk at St. James Cavalier Centre for Creativity, Malta, April, 2013.

A Journey in Three Installments, ‘Tampered Evidence’ exhibition catalogue, Blitz Gallery, Malta, 2013, pp. 8-20.

Tampered Evidence, Talk at Blitz Gallery, Malta, June, 2013.

Fringe, Talk on Sergio Muscat’s jazz photography, Palazzo Depiro, Mdina, Malta, July, 2013.

Pyrokinesis - Talk and essay for catalogue of paintings by David Xuereb, 2013

The creative strategies of juxtaposition and hybridisation - ‘Eccentricks’ catalogue essay, Emanuel Bonnici, 2014

Art Project Ġgantija, 2013 Final Exhibition, Introduction to the exhibition catalogue, St. James Cavalier Centre for Creativity, Malta, 2014

Made in MT: Maltese Art Now - talk, Dar Malta, Brussels (2014)

Researching Art and Design through Practice: A critical engagement with context, Visual Arts Research in Higher Education, in Malta Review of Educational Research, Malta, 2014