TERRYFLAXTON.COM
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
Triple Vision & Videomakers 1982 - 1985

Early Broadcast work for the US shot mainly in the UK and Europe

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1982 brought a move from teaching (I was briefly Head of Television at the London International Film School) and picking up work wherever I could to becoming an editor at Green Man Productions (for whom I'd shot things like the Grace Jones One Man Show) and Green Man became VideoMakers when several of the original people had moved on.
Pieces Created in this period:
1982            A Slice of the Cake
​​1982            Going Local
1982            Bad Neighbours
1982            Circumstantial Evidence
1982            A Slice of the Cake (with Joel Cayford)
1982            Bad Neighbours
1983            And Then There Was Once
1983            The Gap
1983            Eurythmics
1983/1984   Prisoners
1983            Making News
1983/1984   Health Emergency
'The Past' is spilt into 9 areas:
1: Vida                                     1976 - 1981
2: Transition                            1981 - 1982
3: Triple Vision/Videomakers  1982 - 1985
4: Triple Vision & Channel 4    1985 - 1992
5: A Trip Sideways to the BBC 1988 - 1990
6: Cinematography & Scripts   1992 - 2006
7 Academia                              2007 - 2016
8. CineFest                               2015 - 2016
9. Sedition Art                           2015 - 2023
10. Makersplace & NFT's         2019 - 2022
11. 2025 and Beyond?​
So we joined up with Kez Cary and formed Triple Vision and then someone approached us with the journals of a vegetarian, atheist piano tuner they'd found in their attic and we applied for a grant and got another 1200 to shoot Circumstantial Evidence which was to be Gina McKee's first screen appearance (Gina later won best actor in the BAFTA's) and indeed this project won as an ITVA award fro innovation as we'd managed to create a drama made of constant dissolves (at a time when dissolves were almost impossible we set off a live mix with three machines an a vision mixer with the source tapes set up as best as possible, ready for the next dissolve - if you messed up around 15 minutes in - you simply started the entire edit again until you got everything right. On the night of the premier at the South Bank we started a last edit perhaps one hour before the screening and just got through in time to race across the river to a waiting audience. Anthony from Vida then rejoined us on his return from South America and we wanted to tie down what we did and distinguish ourselves from the general film production companies of Soho at that time.

​We soon got work from America as we had proven to MTV that we could shoot under english lighting (which often flickered due to it's flashing 50 times per second when captured at 29.97 frames). We became European Stringers for MTV and did many of the early cable productions setting the look and the feel. Through MTV we worked with the Stones, Who, Grace Jones, Joan Armatrading - the Tourists who became the Eurythmics - and also Universal International who were responsible for one third of the world's music. We were the safe pair of hands.

Quite a lot of deep learning was to come this way - hard on the job where you couldn't make mistakes. Anthony become available again and to make the business more secure we did casting sessions and because of our lighting prowess we had Ridley Scott Associated visit often. The two brothers were visiting the Film Co-Op and we used to joke that the avant garde was the research and development department for straight commercials - albeit the ideas which would express themselves at the film co-op sometimes through hours, and these 'steals' would flash by in a commercial in a second.

In 1983 we had a call from Apple - would we shoot the Making of '1984' to be shot by Ridley Scott (maybe he'd recommended us to Apple to do this) and so we went to H Stage in Shepperton to cover one of the most famous commercials ever made - my 'take away from this is Prisoners - to be found top right of this page - 16 minutes.

Earlier on in this period, being politically motivated we worked for Race today and Bogle l'overture Publications as well as the Campaign for Press and Broadcasting Freedom (on one production with around ten trade unions which was a nightmare in the editing process) and we also found ourselves working with Jeanette Mitchell the Health Consultant for the GLC (which lead to making a programme called Health Emergency which was the first project we sold to Channel 4). ​

Next: ​4: Triple Vision & Channel 4    1985 - 1992
Latest Retrospective, Bath October 2023:​ Terry Flaxton: A Life in Video Art
​
Roseberry Road Studios

From 6th October through to 5th November 2023
28 Roseberry Rd, Bath BA2 3DX
Upcoming Exhibitions and releases in 2024

- United Kingdom, Bristol, RWA Open, November, Testing to Destruction (2017 - 2024), Prisoners (1984) September 2024 - January 2025
- Sedition International Online Release, Entangled /Travelling Faster than Light: The Human Gaze in an Age of Quantum and Tachyonic Entanglement Part III, November 

- Sedition International Online Release, In Paradiso, September
- CIFRA International Online Release, August, The Golden Apples of the Sun
- United Kingdom, The StoryHouse in Chester, July
- CIFRA International Online Release, July, The Mechanism
- Italy Palazzo Albrizzi-Capello, Venice | June 07 - 21, 2024 San Marco Art Space, Venice | June 20 - July 04, 2024 Anima Mundi, Exhibition titled Visions, A Sad and Divine Comedy, June
- Italy Palazzo Albrizzi-Capello Venice, Anima Mundi, Exhibition titled Consciousness, Hearts of Oak, May
- Sedition International Online Release, Mexico: Landscapes of the Heart, April 2024 
- Sedition International Online Release, Un Tempo Una Volta, April 2024 - 
- Sedition International Online Release, Hearts of Oak, April 
- Germany, Berlin Paris Recontres, Haus der Kulturen der Welt 9 - 14th April April 2024
- Germany, C.A.R. contemporary art ruhr Photo/Media Art Fair at Zeche Zollverein, March 2024
- Italy Palazzo Albrizzi-Capello Venice, Anima Mundi, Exhibition titled Rituals, Un Tempo Una Volta (Once Upon a Time in Venice) May 10 – 24, 2024

- Germany, Berlin, Director’s Lounge, C.A.R Contemporary Art Ruhr, March 2024
- Germany, Berlin Paris Recontres, Haus der Kulturen der Welt March 2024

​Between 2008 ​and 2023 Terry exhibited work in the China, USA, Australia, Ireland, Italy, Netherlands, Japan, Germany, Korea, Portugal, Iran, Turkey, Slovenia, Sweden, France, Norway, Malta, Madeira and the UK - some of these countries many times. A complete list of Exhibitions between 2008 and 2023 follows beneath the section on exhibitions beneath 1978 and 2007.
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