TERRYFLAXTON.COM
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
Hybrid Reality and Culture Activity/Events

PAST


30 Nov - 1st Dec 2015
Prof. John Cook represents UWE Bristol at Learning Layers 3rd Annual Review in Luxembourg.
OUTCOME: Feedback from Reviewers at 3rd Annual Review: "Commend consortium for high quality of scientific work, this is the highlight" ... "LAYERS has the potential for huge impact on workplace learning". UWE falls under the category of 'scientific work' (see Hybrid Reality and Culture CMIR page). Detailed consolidated review from 3rd Annual Review arrived 12 January with excellent news for UWE:“The consortium has carried out thorough theoretical … research in order to assist them in answering this ‘how to?’ question … The work of WP 2 and 3 (report 2) is useful and to be commended”. UWE leads on Work Package 2 (WP2)

18th December 2015
CMIR Public Talk: Designing the Participatory Smart City - Fred Garnett, Friday 18th Dec, arr. 5pm, talk 5.30pm-6.30pm, links: Cloudworks site for details link to slides from Talk​


FORTHCOMING 2016

29th January
Prof. John Cook invited to give a keynote presentation to a group of PhD students in  Budapest. This group is coming together within the frame of the Eduworks Marie-Curie ITN Project, which is an interdisciplinary project to investigate labour market matching processes (www.eduworks-network.eu).
 

2-5 February
Prof. John Cook
represents UWE Bristol at Learning Layers consortium meeting at University of Innsbruck

8th March
CMIR-UWE Innvoation workshop Arnolfini, 4AF012

1-3 April
Give paper at Digital-Cultural Ecology and the Medium-Sized City.
  • Cook, J. and Lander, R. (2016) Urban regeneration within the zone of possibility in citizen led ‘hybrid cities’. In: Digital-Cultural Ecology and the Medium-Sized City, Bristol, UK, 01-03 April 2016. [In Press] Available from: http://eprints.uwe.ac.uk/27652


14th April
Prof. John Cook invited to give keynote on Learning Layers and Workplace Learning at staff learning and teaching celebration / digifest Thursday 14th April @ Univerity of Bournmouth. This will be followed by a workshop run by Debbie Holley, Patricia Santos and John Cook.

18-19 April

iCity 2016 - Keynote invitation. We are glad to announce that Prof. John Cook has been invited to give a keynote on Hybrid Reality and Culture at 'ICiTy: Enhancing places through technology' conference April 2016 in Malta see: http://cyberparks-project.eu/news/32-icity-enhancing-places-through-technology.

20-22 June
Bristol Learning Layers Consortium Meeting 20-22 June 2016. Look out for Monday 20th June:  1 day showcase of Learning Layers work to Bristol, West County and Wales (open to wider audience e.g. companies, NHS and HE ~ 50 people) more info

June 27-30,
Ed-media paper delvierd Vancouver, British Columbia, Canada.
  • Cook, J., Mor, Y., Santos, P., Treasure-Jones, T., Elferink, R. and Kerr, M. (2016) Using the participatory patterns design (PPD) methodology to co-design groupware: Confer a tool for workplace informal learning. In: EdMedia 2016, Vancouver, BC, Canada, 26-30 June 2016. [In Press] Available from: http://eprints.uwe.ac.uk/27653



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