TERRYFLAXTON.COM
  • News
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  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions

Hybrid Reality and Culture

Click here for activity/events page for this research stream

Design and Research Challenge
​
In the context of socio-technical environments, how can the design process and design thinking advance or bridge our social/cultural capital?

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​
The CMIR  core research stream ‘Hybrid Reality and Culture’ leads for UWE on work in the European research project Learning Layers (http://learning-layers.eu/) which is aimed at enhancing practices surrounding professional learning (i.e. Healthcare domain in North England) and linking this to theories on informal learning. Our approach shows how we employ empirical and design work and a Participatory Pattern Design method to move from (kernel) theories via Design Principles and prototypes to social machines articulating the notion of a Hybrid Social Learning Network or HSLN. We illustrate this approach with the example of tools, in particular through the development of Confer.

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Hybrid Social Learning Networks​

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​Hybrid Social Learning Networks (HSLN) is a concept describing socio-technical systems that enable Zones of Possibility (ZoP) to emerge when people and artifacts interact and engage in social positioning practices while learning in informal workplace learning situations. The ZoP enables hybrid professional practice to dynamically emerge jointly through social positioning.  As part of our Design Based Research approach the Learning Layers project has developed a meta-design principles to design Hybrid Social Learning Networks (HSLN design approach).
 
In order to establish a clear pathway between kernel theories/empirical evidence/experience and design narratives we have applied Participatory Pattern Design (PPD) method. PPD method includes design principles (and meta-design principles) as boundary objects translating theory into practice, and agile user stories as boundary objects bridging the Design Based Research language with that of software engineering. The resulted meta-design principles are: Respect Learners' Zone of Possibility, Support Knowledge Building Discourse, and Aim for a "50-50 partnership".
​

The outcomes from the PPD methodology have been used to develop the Confer tool based on Agile User Stories developed as part of the co-design with users in England. Confer (http://confer.zone/) provides online collaboration spaces for working groups that can be used both synchronously as well as asynchronously. Confer supports work groups to collaborate on a task or project; helping groups to keep the work focused and flowing, recording the discussions and reasoning along the way and producing a final summary output that can become the first draft of your report or recommendations.


In an attempt to address this challenge, as well as the work on Confer, we want to explore further scenarios and possibilities to spin out our Learning Layers outcomes (i.e. Hybrid Social Learning Network, PPD, Design Principles and Design Patterns) as well as other outcomes created by partners in this project (e.g. Ach So! where users record short videos, add text-based annotations to them and share the annotated videos with their collaborators. See: Virnes, Purma, Bauters, & Leinonen, 2015). 

​Our 2016 plans include:

  • Hybrid Stokes Croft (in collaboration with U-Soap Media): is a digital public space where “community reporters” from the inner city neighbourhood of Stokes Croft in Bristol can share their stories of creating opportunity and urban regeneration through using social resilience and culture. These stories will be in the form of video, audio, image and text. A HSC website (cloud based and optimized for mobile devices) will use these stories to give insights that aim to influence and inform people and organisations locally and globally. Users may consume the media, comment on it or make their own media to develop an argument or propose an idea.

  • Hybrid Cinefest-Zone of Possibility app 2016: and adapted version of the Ach So app will be used to annotate the videos of the 2015 Cinefest as a first stage. A local cloud based solution will be implemented to allow the public (e.g. students/earlier career, Cinematography people, etc) to capture, annotate and share their own video clips during Cinefest 2016. See: http://www.cinefest.co.uk/

Click here for activity/events page for this research stream

​Contact Details:
Prof. John Cook
Publications Available at UWE Research Repository: http://goo.gl/sya0fM

Dr. Patricia Santos
Publications available in UWE Research Repository: http://goo.gl/7a7YCN