• Terry Flaxton
    • Latest releases & exhibitions
    • Resurrection (for Jean Cocteau)
    • Flaxton Retrospective October 2023
    • RWA, FRPS, academic
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • 2025 and beyond?
  • Artworks, Documentaries, Installations
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd Home
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
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        • 2015 Bristol International Festival of Cinematography Video Documentation
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            • Practice as Research
            • PhD Information
            • BLINK
            • UWE active in new feature film - DoP Geoff Boyle, Visiting Professor
            • AHRC Creative Research Fellowship >
              • Output One
              • Output Two
              • Output Three
              • Output Four
            • Short Works of Art >
              • Aperture
              • Zagorsk
              • One Second to Midnight
              • Autumn Dusk Cafe Scene
              • Les Petites Cartes Postales de Beijing
              • Water Table/The Power of the Sea
              • CMIR RWA KWMC Bursary winners
          • Artistic development and its relationship to the technologies of the Moving Image
          • Selling the Immaterial in a Material World >
            • Artists Marque
            • Harry Blain, Ex Haunch of Venison on s[edition]
            • How to Collect Immaterial and New Media Art
          • DataMontage
          • CML/CMIR Camera Tests
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          • Interactive Documentary, developing knowledge exchange forms & a reassessment of cultural value >
            • An experiment in online interactivity
          • DotMov Museum of Moving Image
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          • The Future of Display Technology
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          • CML UWE Camera and Lens Tests
          • Collected text resources
        • The Verbatim History of Digital Cinematography
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        • The Verbatim History of the Aesthetics and Technologies of Analogue Video
        • A History of Video Art
        • Papers
        • Leonardo: New Utopias in Data Capitalism
        • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013
        • Professor Duncan Petrie on the structure of film training in the UK
        • An introduction to 'Resolution'
        • An Introduction to Motion Capture
        • Projection Mapping
        • Cinematographers Discuss Their Role
        • The Neurocinematics of FIlm: Hasson et al
        • RGB-Z Depth Capture in real time
        • News >
          • News
          • Past Events held by CMIR >
            • AMPS & CMIR Conference 2016
            • CMIR:ONE December 2015 CentreSpace Exhibition
            • John Hopkins, Father of British Independent Video
            • Bristol Festival of Cinematography September 2015
            • Bristol Radical Film Festival 2015: Commemorating the 1975 First Festival of Independent British Cinema
            • CMIR 'Lighting Faces' Masterclass with Geoff Boyle
            • Higher Dynamic Range Laboratory
            • Symposium at Encounters Short Film and Animation Festival, Aesthetics/Politics/Activism/Art: What is Radical Now?
            • 'VIENNA-BRISTOL-RIGA: A JOURNEY THROUGH RADICALISM' at Encounters Short Film and Animation Festival
            • Visual Activism(s): Tactics, Technologies and Styles
            • The Films of Ben Smithard BSC, Bargehouse June 2014
            • Bristol Radical Film Festival presents: Superlative TV and 'Equal Temperament' (2014)
            • One Artists Journey - 2014 May at the RWA
            • 2014 CML/CMIR Camera Tests
            • The Films of Roberto Schaefer at Encounters 2013
            • Professor Duncan Petrie on the structure of film training in the UK
            • The Stuart Hall Project 18th February
            • ISEA 2013
            • Community Filmmaking and Cultural Diversity
            • Bristol Radical Film Festival
            • Oxford Radical Forum
            • Bristol Radical Film Festival presents: Bristol Palestine Film Festival Warm-up
            • Bristol Radical Film Festival presents: Benefit Bonanza Solidarity Screening in association with Side by Side LGBT Festival in Russia
            • Past Events Further Back
        • The Future of Display Technology
        • CMIR ONE >
          • 18 Seconds
          • BOUNCE
          • 7 seconds
          • 4 seconds
        • BSC Expo Presentation: Terry Flaxton
        • People & Affiliations >
          • People & Affiliations
          • Affiliate Academics from other Universities >
            • Professor Jane Arthurs, Middlesex University
            • Dr Sarah Atkinson, University of Brighton
            • Professor Amanda Beech, Dean, School of Critical Writing, CalArts
            • Dr Vince Briffa
            • Cathy Greenhalgh, Principle Lecturer, LCC
            • Professor Sean Cubitt, Goldsmiths
            • Professor Stefan Grandinetti, Stuttgart Media University
            • Hotels and map CineFest
            • Dr Leon Gurevitch, Victoria University of Wellington
            • Andrew Demirjian, Specialist Professor, Monmouth University, New York
            • Roberta Friedman Associate Professor, Moving Image Montclair University
            • Professor Julia Knight, University of Sunderland
            • Dr, Lev Manovich Professor, The Graduate Center, City University New York
            • Dr Kayla Parker, Lecturer in Media Arts Plymouth University
            • Professor Stephen Partridge, University of Dundee
            • Professor Duncan Petrie, University of York
            • Dr Marc Price, University of Bristol
          • Affiliate Cinematographers & Filmmakers >
            • Renny Bartlett, Producer, Director, Screenwriter
            • Karel Bata
            • Geoff Boyle, FBKS, Visiting Professor
            • Sharon Calahan ASC
            • Catherine Goldschmidt
            • Jack Hayter
            • Dave Riddet
            • Roberto Schaefer ASC, AIC, Visiting Professor
            • Jonathan Smiles, Workflow Specialist
            • Ben Smithard BSC
            • David Stump ASC
          • Affiliate Academics from UWE >
            • Dr Judith Aston
            • Terryl Bacon
            • Liz Banks
            • Judith Bracegirdle
            • Professor John Cook
            • Dr Charlotte Crofts
            • Abigail Davies
            • Dr Josie Dolan
            • Professor Jon Dovey
            • Katrina Glitre
            • Dr John Hodgson
            • Dr James Jackman
            • Susan Mcmillan
            • Rachel Mills
            • Alistair Oldham
            • Dr Shawn Sobers
            • Dr Gillian Swanson, Associate Professor
            • Estella Tincknell, Associate Professor
            • Dr Sherryl Wilson
          • Affliate Research Groups >
            • Bristol Vision Institute, University of Bristol
            • Creative Media Research Group, ACE, UWE
            • Digital Cultures Research Centre
            • Film and Television Studies Research Group, UWE
          • Affiliate Cultural & Cinematic Organisations and Producers >
            • Aardman Animations
            • Afrika Eye/Zimmedia
            • Encounters Short Film & Animation Festival
            • IMAGO: European Federation of Cinematographers
            • Royal West of England Academy
            • Knowle West Media Centre
            • Watershed Media Centre, Bristol
          • Affiliate Independent Researchers & Artists >
            • Andrew Buchanan
            • Mark Cosgrove
            • Caroline Norbury, Visiting Professor, ACE, UWE
            • Peter Donebauer
            • Charlotte Humpston
            • Andrew Kelly, Visiting Professor, ACE, UWE
            • RIk Lander
            • Dr Ben Sherriff
            • Deborah Weinreb
            • Lucy Williams
        • Glow
        • United Digital Artists >
          • United Digital Artists Projects Page
  www.terryflaxton.com
I knew John Hopkins - Hoppy - and was always impressed by his commitment to new ideas and new forms. I worked for him in the summer of 1977 at his and Sue Hall's pioneering video facility Fantasy Factory, in Theobalds Road, London. Over the years I grew to respect what he brought to the world. Here's an interview Chris Meigh-Andrews and I did with him a year or so before his death.

Below is his life as reported in Wikipedia - but it does not emphasise his video work which he saw as a form of cybernetic inquiry - he took a different path to the early film-makers like David Hall who took up the use of video as a more convenient substitute to film. Hoppy used video as an expression of revolutionary thinking - where its use was a gesture of defiance on one hand and an invocation of social change on the other. Hoppy always looked to the future.
We hope the interview will tell you more. In this frame is a photograph of William Burroughs that Hoppy shot in the early 1960's. Terry Flaxton

John Hopkins: 15th August 1937 - January 30th 2015
At the age of 20 John Hopkins graduated from Cambridge University (which he had entered on a scholarship in 1955) with a degree in physics and mathematics, and embarked upon a career as a nuclear physicist. However, a graduation present of a camera changed his career. Arriving in London on 1 January 1960, he began to work as a photographer for newspapers, music magazines including Melody Maker, and Peace News. He photographed many of the leading musicians of the period, including The Beatles and the Rolling Stones. He also recorded the seedier side of London, with photographs of tattoo parlours, cafes, prostitutes and fetishists.

By the mid-1960s he had drifted into the centre of London's emerging underground scene and recorded many peace marches, poetry readings and "happenings", as well as photographing leading counter-cultural figures including Allen Ginsberg and Malcolm X. He compiled and stencil-duplicated the names, contact details and interests of all of London's "movers and shakers". He then gave all of them a copy. This action is credited with greatly boosting the cultural velocity of the 1960s London-based underground movement.

In 1965, with Rhaune Laslett and others, he helped set up the London Free School in Notting Hill. This in turn led to the establishment of the Notting Hill carnival, first organised by Laslett with the guidance of local activists including Michael X. As an extension of the Free School news-sheet The Gate in 1966 Hopkins and Barry Miles co-founded the influential magazine International Times (IT). Hopkins also set up the UFO Club with Joe Boyd,[2] with Pink Floyd as the resident band.

Arrested for cannabis possession, Hopkins elected for trial by jury. In court on 1 June 1967, Hopkins explained that cannabis was harmless and that the law should be changed. The judge, describing him as "a pest to society",[3] sentenced Hopkins to nine months in prison for keeping premises for the smoking of cannabis and possession of cannabis, although he served only six months.[3] A "Free Hoppy" movement sprang up and, as one particular consequence, Stephen Abrams began co-ordinating a campaign for the liberalisation of the law on cannabis. This led to the publication in The Times on 24 July of a full-page advertisement that described the existing law as "immoral in principle and unworkable in practice", signed by Francis Crick, George Melly, Jonathan Miller and the Beatles. Paul McCartney, initially clandestinely, arranged the funding for this advertisement as a tribute to Hoppy, at the instigation of Barry Miles.[4]

Hopkins remained a member of IT′s editorial board and a major contributor, and founded BIT as an information and agitprop arm. Hopkins favoured the more anarchistic elements in the "underground" centred on Ladbroke Grove, such as former UFO doorman Mick Farren, who by 1967 was also working at the IT newspaper.

In the 1970s Hopkins was involved in researching the social uses of video for UNESCO, the British Arts Council, the Home Office and others, and edited the Journal of the Centre for Advanced TV Studies. Later, he worked as a technical journalist in the video trade press, and co-authored distance learning video training courses. Subsequently, he took and exhibited macro photography of flowers and other plants, and co-authored papers on plant biochemistry at the University of Westminster. He also exhibited his photographs of events and personalities in the 1960s. He died at the age of 78 on 30 January 2015.[5]