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Jonathan Smiles has been at the forefront of data pathway and workflow construction for many years, His clients range from major film productions, broadcasters (BBC, S4C, ITV, STV, ESPN, BskyB), production companies, post houses, government and post/broadcast manufacturers.
Jonathan has worked on:
Thor: the Dark World, Green Zone, Elysium, Harry Potter and the Prisoner of Azkaban, Earth, Anonymous, the BAFTA Photography and Lighting award winner Red Riding: In the Year of Our Lord 1983 and the Academy Award Best Picture nominee District 9 amongst other productions.
Speaker on Digital Production & Post Production
British Society of Cinematographers - Film Digital and HD Day, Exploring D-Cinema 2, IBC Tapeless Infrastructure, Hollywood Post Alliance, Digital Cinema Society, London Film School - The Lowdown on Digital Workflow, The Look, Digital Cinema Aesthetics and Workflows, Digitale Cinematographie Munich, Santa Fe Advanced 3D Workshop.
Present and demo at NAB, IBC, BVE, BSC Expo. Written articles published in High Definition, Image Technology and computer magazines.
Clients located in UK, USA, Ireland, France, Germany, Spain, Netherlands, Slovenia, Switzerland, South Africa, South Korea, Morocco , India and Iceland.
Specialities: DIT/on-set recording/data management, LTO backup and archive, MAM, HSM, live production and near live editing, asset management and SAN, compositing/visual effects, virtual production, S3D shooting/projection, digital cinema & broadcast servers, cameras, film scanning/recording, video/audio compression, grading/DI, colour management and monitoring, onsite integration, training and workflow consultancy.
Jonathan took part in the symposium The Look from Capture to Display which was organised by Terry Flaxton and Richard Mizek which sought to join academics and cinematographers together to begin a new conversation about digital cinematography:
The Look from Capture to Display
Jonathan has worked on:
Thor: the Dark World, Green Zone, Elysium, Harry Potter and the Prisoner of Azkaban, Earth, Anonymous, the BAFTA Photography and Lighting award winner Red Riding: In the Year of Our Lord 1983 and the Academy Award Best Picture nominee District 9 amongst other productions.
Speaker on Digital Production & Post Production
British Society of Cinematographers - Film Digital and HD Day, Exploring D-Cinema 2, IBC Tapeless Infrastructure, Hollywood Post Alliance, Digital Cinema Society, London Film School - The Lowdown on Digital Workflow, The Look, Digital Cinema Aesthetics and Workflows, Digitale Cinematographie Munich, Santa Fe Advanced 3D Workshop.
Present and demo at NAB, IBC, BVE, BSC Expo. Written articles published in High Definition, Image Technology and computer magazines.
Clients located in UK, USA, Ireland, France, Germany, Spain, Netherlands, Slovenia, Switzerland, South Africa, South Korea, Morocco , India and Iceland.
Specialities: DIT/on-set recording/data management, LTO backup and archive, MAM, HSM, live production and near live editing, asset management and SAN, compositing/visual effects, virtual production, S3D shooting/projection, digital cinema & broadcast servers, cameras, film scanning/recording, video/audio compression, grading/DI, colour management and monitoring, onsite integration, training and workflow consultancy.
Jonathan took part in the symposium The Look from Capture to Display which was organised by Terry Flaxton and Richard Mizek which sought to join academics and cinematographers together to begin a new conversation about digital cinematography:
The Look from Capture to Display