• Terry Flaxton
    • Latest releases & exhibitions
    • Resurrection (for Jean Cocteau)
    • Flaxton Retrospective October 2023
    • RWA, FRPS, academic
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
  • Artworks, Documentaries, Installations
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd Home
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • Research & Innovation >
          • Research Streams of CMIR 2013 - 2017
          • Higher Dynamic Range Laboratory
          • Higher Dynamic Range Research
          • Practice as Research >
            • Practice as Research
            • PhD Information
            • BLINK
            • UWE active in new feature film - DoP Geoff Boyle, Visiting Professor
            • AHRC Creative Research Fellowship >
              • Output One
              • Output Two
              • Output Three
              • Output Four
            • Short Works of Art >
              • Aperture
              • Zagorsk
              • One Second to Midnight
              • Autumn Dusk Cafe Scene
              • Les Petites Cartes Postales de Beijing
              • Water Table/The Power of the Sea
              • CMIR RWA KWMC Bursary winners
          • Artistic development and its relationship to the technologies of the Moving Image
          • Selling the Immaterial in a Material World >
            • Artists Marque
            • Harry Blain, Ex Haunch of Venison on s[edition]
            • How to Collect Immaterial and New Media Art
          • DataMontage
          • CML/CMIR Camera Tests
          • Moving Image Knowledge Exchange Network
          • Radical Film Network
          • Interactive Documentary, developing knowledge exchange forms & a reassessment of cultural value >
            • An experiment in online interactivity
          • DotMov Museum of Moving Image
          • Artists Moving Image Exchange Network - AMEN
          • The Future of Display Technology
          • The Photographic Image
          • CML UWE Camera and Lens Tests
          • Collected text resources
        • The Verbatim History of Digital Cinematography
        • Verbatim Interviews
        • The Verbatim History of the Aesthetics and Technologies of Analogue Video
        • A History of Video Art
        • Papers
        • Leonardo: New Utopias in Data Capitalism
        • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013
        • Professor Duncan Petrie on the structure of film training in the UK
        • An introduction to 'Resolution'
        • An Introduction to Motion Capture
        • Projection Mapping
        • Cinematographers Discuss Their Role
        • The Neurocinematics of FIlm: Hasson et al
        • RGB-Z Depth Capture in real time
        • News >
          • News
          • Past Events held by CMIR >
            • AMPS & CMIR Conference 2016
            • CMIR:ONE December 2015 CentreSpace Exhibition
            • John Hopkins, Father of British Independent Video
            • Bristol Festival of Cinematography September 2015
            • Bristol Radical Film Festival 2015: Commemorating the 1975 First Festival of Independent British Cinema
            • CMIR 'Lighting Faces' Masterclass with Geoff Boyle
            • Higher Dynamic Range Laboratory
            • Symposium at Encounters Short Film and Animation Festival, Aesthetics/Politics/Activism/Art: What is Radical Now?
            • 'VIENNA-BRISTOL-RIGA: A JOURNEY THROUGH RADICALISM' at Encounters Short Film and Animation Festival
            • Visual Activism(s): Tactics, Technologies and Styles
            • The Films of Ben Smithard BSC, Bargehouse June 2014
            • Bristol Radical Film Festival presents: Superlative TV and 'Equal Temperament' (2014)
            • One Artists Journey - 2014 May at the RWA
            • 2014 CML/CMIR Camera Tests
            • The Films of Roberto Schaefer at Encounters 2013
            • Professor Duncan Petrie on the structure of film training in the UK
            • The Stuart Hall Project 18th February
            • ISEA 2013
            • Community Filmmaking and Cultural Diversity
            • Bristol Radical Film Festival
            • Oxford Radical Forum
            • Bristol Radical Film Festival presents: Bristol Palestine Film Festival Warm-up
            • Bristol Radical Film Festival presents: Benefit Bonanza Solidarity Screening in association with Side by Side LGBT Festival in Russia
            • Past Events Further Back
        • The Future of Display Technology
        • CMIR ONE >
          • 18 Seconds
          • BOUNCE
          • 7 seconds
          • 4 seconds
        • BSC Expo Presentation: Terry Flaxton
        • Hotels and map CineFest
        • People & Affiliations >
          • People & Affiliations
          • Affiliate Academics from other Universities >
            • Professor Jane Arthurs, Middlesex University
            • Dr Sarah Atkinson, University of Brighton
            • Professor Amanda Beech, Dean, School of Critical Writing, CalArts
            • Dr Vince Briffa
            • Cathy Greenhalgh, Principle Lecturer, LCC
            • Professor Sean Cubitt, Goldsmiths
            • Professor Stefan Grandinetti, Stuttgart Media University
            • Dr Leon Gurevitch, Victoria University of Wellington
            • Andrew Demirjian, Specialist Professor, Monmouth University, New York
            • Roberta Friedman Associate Professor, Moving Image Montclair University
            • Professor Julia Knight, University of Sunderland
            • Dr, Lev Manovich Professor, The Graduate Center, City University New York
            • Dr Kayla Parker, Lecturer in Media Arts Plymouth University
            • Professor Stephen Partridge, University of Dundee
            • Professor Duncan Petrie, University of York
            • Dr Marc Price, University of Bristol
          • Affiliate Cinematographers & Filmmakers >
            • Renny Bartlett, Producer, Director, Screenwriter
            • Karel Bata
            • Geoff Boyle, FBKS, Visiting Professor
            • Sharon Calahan ASC
            • Catherine Goldschmidt
            • Jack Hayter
            • Dave Riddet
            • Roberto Schaefer ASC, AIC, Visiting Professor
            • Jonathan Smiles, Workflow Specialist
            • Ben Smithard BSC
            • David Stump ASC
          • Affiliate Academics from UWE >
            • Dr Judith Aston
            • Terryl Bacon
            • Liz Banks
            • Judith Bracegirdle
            • Professor John Cook
            • Dr Charlotte Crofts
            • Abigail Davies
            • Dr Josie Dolan
            • Professor Jon Dovey
            • Katrina Glitre
            • Dr John Hodgson
            • Dr James Jackman
            • Susan Mcmillan
            • Rachel Mills
            • Alistair Oldham
            • Dr Shawn Sobers
            • Dr Gillian Swanson, Associate Professor
            • Estella Tincknell, Associate Professor
            • Dr Sherryl Wilson
          • Affliate Research Groups >
            • Bristol Vision Institute, University of Bristol
            • Creative Media Research Group, ACE, UWE
            • Digital Cultures Research Centre
            • Film and Television Studies Research Group, UWE
          • Affiliate Cultural & Cinematic Organisations and Producers >
            • Aardman Animations
            • Afrika Eye/Zimmedia
            • Encounters Short Film & Animation Festival
            • IMAGO: European Federation of Cinematographers
            • Royal West of England Academy
            • Knowle West Media Centre
            • Watershed Media Centre, Bristol
          • Affiliate Independent Researchers & Artists >
            • Andrew Buchanan
            • Mark Cosgrove
            • Caroline Norbury, Visiting Professor, ACE, UWE
            • Peter Donebauer
            • Charlotte Humpston
            • Andrew Kelly, Visiting Professor, ACE, UWE
            • RIk Lander
            • Dr Ben Sherriff
            • Deborah Weinreb
            • Lucy Williams
        • Glow
        • United Digital Artists
  www.terryflaxton.com
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Liz Banks
Senior Lecturer, UWE

Liz is a senior lecturer in Photography and moving image. Her film studies background and ongoing experience as a filmmaker provides students with a wide range of skills and knowledge for work in photographic industry. Liz graduated from Bournemouth Film School and then trained as a researcher, editor and director at the BBC. Since then she has worked as an independent filmmaker directing and producing documentaries and short drama for the BBC, ITV and the UK Film Council. Her films have been supported by the British Council and screened at film festivals around the world. Since completing her MA, her practice has evolved into experimental moving image for the gallery, with exhibitions in York and Bristol.

She co-founded Bath Community Television and continues to work in the community sector as a mentor and workshop facilitator for young filmmakers and women entering the film industry. Liz regularly works with Bristol Old Vic Theatre School directing acting students, as well as Somerset Film and Video and Calling the Shots as a guest speaker and workshop leader on scripting and directing. For the past three years she has taught screenwriting and storyboarding on the BFI funded
Film Academy Bristol course for 16 -25 yr olds, where films have gone on to win awards at young people’s film festivals in Poland.

For the past two years Liz has been invited to speak to Bristol University medical students about her own work and films around mental health issues as part of the
films and psychology course run by Avon and Wiltshire NHS and Bristol Mental Health. Her film Look Up was selected for screening at Exploring Dementia Through
Film conferences in Oxford, Cambridge and Bristol University.

Liz’s practice centres around people, place and our sense of belonging. Often drawn from her own experience, her films tend to be personal and experiential – seeking to capture a feeling or connection to place. She is interested in an inter-disciplinary, archeological approach to filmmaking that encompasses phenomenology, cultural geography and oral history and mental health. A recent return to photography has led her to re-evaluate the image and ways of looking, making process & research methods more important. She is keen to experiment with mixing still and moving image, documentary, drama and archive to a produce more interesting outcomes to her work.

  • Publications
  • Banks, L. (2015) Look Up - A screening and analysis of my practice research into space, time and grief through film. In: Material Environments: Sensing Time and Matter in Digital and Visual Culture, University of Greenwich, London, UK, 24-25 July 2015. Available from: http://eprints.uwe.ac.uk/26495
  • Banks, L. and Avon and Wiltshire Mental Health Partnership NHS Trust, Bristol Mental Health, Bristol University medical department (2015) Films and psychiatry. In: Films and Psychiatry, Callington Road Hospital, 21 July 2014 & 22 July 2015. Available from: http://eprints.uwe.ac.uk/26602
  • Banks, L. (2015) Look Up - A screening and analysis of my practice research into the photographic approach to filmmaking. In: Photography in the 21st Century: Philosophy, art & technique, Central St Martins, London, UK, 5-6 June 2015. Available from: http://eprints.uwe.ac.uk/26494
  • Banks, L. and Film Academy Bristol, British Film Institute, Bristol Old Vic (2014) Scripting and storyboarding your film. In: Scripting and storyboarding your film, Bristol Old Vic Theatre School. Available from: http://eprints.uwe.ac.uk/26605
  • Banks, L. and The Engine room, Somerset Film and Video (2014) Women into film - writing and directing for the screen. In: Women in Film - writing and directing for the screen., The Engine Room, Somerset film and video, 26 October 2014. Available from: http://eprints.uwe.ac.uk/26603
  • Banks, L. and Red Brick Arts Centre, Glastonbury, Somerset, Somerset Arts Week (2013) Making films in Somerset. In: Somerset Arts Week, Red Brick Building, Glastonbury, Somerset, UK, 3 October 2013. Available from: http://eprints.uwe.ac.uk/26604
  • Banks, L. (2013) Look up - exploring grief, landscape and time through film. In: 2nd global conference - Time, space and the body, Mansfield College, Oxford University., 01-03 September 2013. [Submitted] Available from: http://eprints.uwe.ac.uk/26577

  • Show/Exhibition
  • Banks, L. (2014) Look Up. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/26521
  • Banks, L. (2012) Look Up. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/26600
  • Banks, L. (2010) Home. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/26599

  • Video
  • Banks, L. and Bristol Old Vic Theatre School (2015) The shooting party. [Video] Available from: http://eprints.uwe.ac.uk/26601
  • Banks, L. (2013) LIGHTING UP. [Video] Available from: http://eprints.uwe.ac.uk/26559
  • Banks, L. (2012) Look up. [Video] Available from: http://eprints.uwe.ac.uk/18432
  • Banks, L. (2008) Hedgewitch. [Video] Available from: http://eprints.uwe.ac.uk/15950