TERRYFLAXTON.COM
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions

Past EVENTS

September Higher Dynamic Range Laboratory held at Encounters 2014 - An Advanced Innovation Laboratory in which we achieved some of the worlds first HDR Capture and Display.

September: Symposium on the idea of Radicalism in Moving Image Practice - is radicalism possible in a commodified world? One day event.

September: A Journey through Radicalism at Encounters 2014:
As part of its 20th anniversary celebrations, Encounters Short Film and Animation Festival has invited the Centre for Moving Image Research to co-curate a season of films exploring the theme of radicalism in association with the Bristol Radical Film Festival and the Radical Film Network.

June 2014 Cinematographer Ben Smithard was in conversation at the Bargehouse in London with supporting clips with Prof Terry Flaxton of UWE’s Centre for Moving Image Research about his latest film Belle (2013) and other films: Alan Partridge: Alpha Papa (2013), My Week with Marilyn ( 2011), The Damned United (2009) and next years release of the Best Marigold Hotel 2 (2015).  He has also worked on commercials and television (The Trip 2010) and will in this discussion outline his creative influences and speak about how he established a career in the British film industry.   This talk was part of a FREE series of events held during the London degree show for The University of the West of England, Bristol of its Filmmaking and Creative Media, Photography, Animation courses at the Bargehouse, South Bank, London SE1 9PH 19th – 22nd June 2014.

May 2014 - Dr Steve Presence Presented Conference Paper at the International Communication Association's 64th Annual Conference in Seattle, Visual Activism(s): Tactics, Technologies and Style

May 2014, Emeritus Professor UCLAN Chris Meigh Andrews and Visiting Professor at UWE: Provenance in Art and creating Art as an Academic. RWA. Bristol

25th March 2014 Talk: 'How to Price Your Work'. Seminar given by Dr Sarah Sparke at Delamore Arts, Devon.

15th March 2014  Radical Readings/Radical Texts symposium on March 15th 2014 at Canterbury Christ Church University.
Drs Presence and Sparke present papers.

3rd - 9th March 2014
The Bristol Radical Film Festival took place from the 3rd to the 9th March. Find out more at:  www.bristolradicalfilmfestival.org.uk - see events
28th February - 2nd March Oxford Community Filmmaking, Bristol Radical Film Festival invited to preset.

27th February 2014 Chris Meigh-Andrews 'A History of Video Art; Second Edition will be launch at EyeBeam in New York, Terry Flaxton to sit on Panel

18th February 2014 - 16.00, Room OD55, Bower Ashton Campus
Creative Media Research Group/Centre for Moving Images Present:
SCREENING & DISCUSSION OF JOHN AKOMFRAH’S THE STUART HALL PROJECT (2013)

7th February 2014:  CML Camera Tests with Geoff Boyle, 6th and 7th February taking place at UWE with CMIR - first camera tests worldwide involving a university. The results are now available on the CML website (the industry's 'go-to' site for information and discussion) at  http://www.cinematography.net/UWE/index.html

3rd Feb 2014.  Talk: Professor Duncan Petrie, York University: The construction of FIlm Schools form 1919 to the Present

September 2013: Roberto Schaefer ASC, AIC Retrospective at Encounters - see video of event

July 2013: ISEA 2013, Sydney Australia, Professor Flaxton chaired a panel on Imaging Capabilities of the Future, taking part were Scott McQuire: School of Culture and Communication, University of Melbourne, Australia and Leon Gurevitch: School of Design, Victoria University of Wellington, New Zealand. Flaxton also presented a paper on The Future of the Moving Image