• Terry Flaxton
    • Latest releases & exhibitions
    • Resurrection (for Jean Cocteau)
    • Flaxton Retrospective October 2023
    • RWA, FRPS, academic
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
  • Artworks, Documentaries, Installations
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd Home
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • Research & Innovation >
          • Research Streams of CMIR 2013 - 2017
          • Higher Dynamic Range Laboratory
          • Higher Dynamic Range Research
          • Practice as Research >
            • Practice as Research
            • PhD Information
            • BLINK
            • UWE active in new feature film - DoP Geoff Boyle, Visiting Professor
            • AHRC Creative Research Fellowship >
              • Output One
              • Output Two
              • Output Three
              • Output Four
            • Short Works of Art >
              • Aperture
              • Zagorsk
              • One Second to Midnight
              • Autumn Dusk Cafe Scene
              • Les Petites Cartes Postales de Beijing
              • Water Table/The Power of the Sea
              • CMIR RWA KWMC Bursary winners
          • Artistic development and its relationship to the technologies of the Moving Image
          • Selling the Immaterial in a Material World >
            • Artists Marque
            • Harry Blain, Ex Haunch of Venison on s[edition]
            • How to Collect Immaterial and New Media Art
          • DataMontage
          • CML/CMIR Camera Tests
          • Moving Image Knowledge Exchange Network
          • Radical Film Network
          • Interactive Documentary, developing knowledge exchange forms & a reassessment of cultural value >
            • An experiment in online interactivity
          • DotMov Museum of Moving Image
          • Artists Moving Image Exchange Network - AMEN
          • The Future of Display Technology
          • The Photographic Image
          • CML UWE Camera and Lens Tests
          • Collected text resources
        • The Verbatim History of Digital Cinematography
        • Verbatim Interviews
        • The Verbatim History of the Aesthetics and Technologies of Analogue Video
        • A History of Video Art
        • Papers
        • Leonardo: New Utopias in Data Capitalism
        • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013
        • Professor Duncan Petrie on the structure of film training in the UK
        • An introduction to 'Resolution'
        • An Introduction to Motion Capture
        • Projection Mapping
        • Cinematographers Discuss Their Role
        • The Neurocinematics of FIlm: Hasson et al
        • RGB-Z Depth Capture in real time
        • News >
          • News
          • Past Events held by CMIR >
            • AMPS & CMIR Conference 2016
            • CMIR:ONE December 2015 CentreSpace Exhibition
            • John Hopkins, Father of British Independent Video
            • Bristol Festival of Cinematography September 2015
            • Bristol Radical Film Festival 2015: Commemorating the 1975 First Festival of Independent British Cinema
            • CMIR 'Lighting Faces' Masterclass with Geoff Boyle
            • Higher Dynamic Range Laboratory
            • Symposium at Encounters Short Film and Animation Festival, Aesthetics/Politics/Activism/Art: What is Radical Now?
            • 'VIENNA-BRISTOL-RIGA: A JOURNEY THROUGH RADICALISM' at Encounters Short Film and Animation Festival
            • Visual Activism(s): Tactics, Technologies and Styles
            • The Films of Ben Smithard BSC, Bargehouse June 2014
            • Bristol Radical Film Festival presents: Superlative TV and 'Equal Temperament' (2014)
            • One Artists Journey - 2014 May at the RWA
            • 2014 CML/CMIR Camera Tests
            • The Films of Roberto Schaefer at Encounters 2013
            • Professor Duncan Petrie on the structure of film training in the UK
            • The Stuart Hall Project 18th February
            • ISEA 2013
            • Community Filmmaking and Cultural Diversity
            • Bristol Radical Film Festival
            • Oxford Radical Forum
            • Bristol Radical Film Festival presents: Bristol Palestine Film Festival Warm-up
            • Bristol Radical Film Festival presents: Benefit Bonanza Solidarity Screening in association with Side by Side LGBT Festival in Russia
            • Past Events Further Back
        • The Future of Display Technology
        • CMIR ONE >
          • 18 Seconds
          • BOUNCE
          • 7 seconds
          • 4 seconds
        • BSC Expo Presentation: Terry Flaxton
        • Hotels and map CineFest
        • People & Affiliations >
          • People & Affiliations
          • Affiliate Academics from other Universities >
            • Professor Jane Arthurs, Middlesex University
            • Dr Sarah Atkinson, University of Brighton
            • Professor Amanda Beech, Dean, School of Critical Writing, CalArts
            • Dr Vince Briffa
            • Cathy Greenhalgh, Principle Lecturer, LCC
            • Professor Sean Cubitt, Goldsmiths
            • Professor Stefan Grandinetti, Stuttgart Media University
            • Dr Leon Gurevitch, Victoria University of Wellington
            • Andrew Demirjian, Specialist Professor, Monmouth University, New York
            • Roberta Friedman Associate Professor, Moving Image Montclair University
            • Professor Julia Knight, University of Sunderland
            • Dr, Lev Manovich Professor, The Graduate Center, City University New York
            • Dr Kayla Parker, Lecturer in Media Arts Plymouth University
            • Professor Stephen Partridge, University of Dundee
            • Professor Duncan Petrie, University of York
            • Dr Marc Price, University of Bristol
          • Affiliate Cinematographers & Filmmakers >
            • Renny Bartlett, Producer, Director, Screenwriter
            • Karel Bata
            • Geoff Boyle, FBKS, Visiting Professor
            • Sharon Calahan ASC
            • Catherine Goldschmidt
            • Jack Hayter
            • Dave Riddet
            • Roberto Schaefer ASC, AIC, Visiting Professor
            • Jonathan Smiles, Workflow Specialist
            • Ben Smithard BSC
            • David Stump ASC
          • Affiliate Academics from UWE >
            • Dr Judith Aston
            • Terryl Bacon
            • Liz Banks
            • Judith Bracegirdle
            • Professor John Cook
            • Dr Charlotte Crofts
            • Abigail Davies
            • Dr Josie Dolan
            • Professor Jon Dovey
            • Katrina Glitre
            • Dr John Hodgson
            • Dr James Jackman
            • Susan Mcmillan
            • Rachel Mills
            • Alistair Oldham
            • Dr Shawn Sobers
            • Dr Gillian Swanson, Associate Professor
            • Estella Tincknell, Associate Professor
            • Dr Sherryl Wilson
          • Affliate Research Groups >
            • Bristol Vision Institute, University of Bristol
            • Creative Media Research Group, ACE, UWE
            • Digital Cultures Research Centre
            • Film and Television Studies Research Group, UWE
          • Affiliate Cultural & Cinematic Organisations and Producers >
            • Aardman Animations
            • Afrika Eye/Zimmedia
            • Encounters Short Film & Animation Festival
            • IMAGO: European Federation of Cinematographers
            • Royal West of England Academy
            • Knowle West Media Centre
            • Watershed Media Centre, Bristol
          • Affiliate Independent Researchers & Artists >
            • Andrew Buchanan
            • Mark Cosgrove
            • Caroline Norbury, Visiting Professor, ACE, UWE
            • Peter Donebauer
            • Charlotte Humpston
            • Andrew Kelly, Visiting Professor, ACE, UWE
            • RIk Lander
            • Dr Ben Sherriff
            • Deborah Weinreb
            • Lucy Williams
        • Glow
        • United Digital Artists
  www.terryflaxton.com

People and affiliations

Moving Image Arts Research is creating a Knowledge Exchange Network across the arenas that together form the context for the practice of moving image capture and display.  We are doing this thought creating a set of affiliations with researchers, groups and institutions  from academia, the professions and from the cultural industries within moving image capture and display, as well as the related and equally important area of content creation and innovation. Our beginning aim is simply to create the ground work for creating a source of research excellence which is trusted by each of these sectors. Our mid-term aim is to create an online set of forums that connect members within and across specific groups and disciplines, in discussion spaces specific to subject. These will then be collected together within digests, either daily weekly or monthly. This will also become a shop window of ideas and resources for both undergraduate and postgraduate study.
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Caroline Norbury, CEO and Founder of Creative England has just become a Visiting Professor at UWE and we're very glad to have her affiliated with Moving Image Arts Research.
Being focused on capture and display, we recognise the need to add one of the worlds foremost editors to help steer our research direction. This knowledge will aid the cinematographer in understanding what it is the person that constructs a moving image work needs, to aid in that construction. This is not simply just for organising standard narratives, but for innovating new forms of story telling and creation of moving image art. Thelma has been a constant innovator by breaking and reinventing editing rules to provoke unease in the audience as in King of Comedy, through to playing with thriller form in Shutter Island. She has been awarded three Oscars by AMPAS. (Thelma's awards and nominations on IMDB). We are in discussion with Thelma about affiliating with CMIR.

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Sharon Calahan who was Director of Cinematography on Pixar's Finding Nemo and Toy Story Two is now a a member of the ASC and  CMIR affiliate.
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CMIR were pleased to announce the affiliation of Professor Lev Manovich, a key thinker in the development of the theory of New Media.
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Terry Flaxton with Thelma Schoonmaker
AFFILIATE FILMAKERS AND CINEMATOGRAPHERS
Renny Bartlett

Geoff Boyle
Roberto Shcaefer ASC, AIC
Ben Smithard BSC
David Stump ASC
Dave Riddet

See also from dropdown above:
Affiliate Academics from UWE
Affiliate Academics from Other Universities
Affiliate Cultural & Cinematic Organisations and Producers
Affiliate Independent Researchers and Artists
But we are also in discussion with a number of other high level industry talents to affiliate with CMIR - not only Oscar winning cinematographers, but directors and producers too. Initially these affiliations will aid students at UWE - recently we accomplished the CML/CMIR camera tests with Visiting Professor, Geoff Boyle FKBS, where students were exposed to industry personnel and test and prep practices and the highest level of cameras in the world (there were two Phantom Flex 4k prototypes being tested.) But we also hope to arrange internships with people on productions so that students can practice as well as research the act of film-making at the highest levels.
Below: The launch of  'A History of Video Art' Chris Meigh-Andrews, Beryl Korot, Mary Lucier, Peter Campus, Lori Zippay (Electronic Arts Intermix), Terry Flaxton
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