Complete List of Outputs in Portfolio One: 
​High Definition Video and Experiences of Immediacy and the Environment

Portfolio 1 from Studio VisualFields on Vimeo.

To investigate the capture of images of the immediate environment and the effects of projection and display of those images on familiar objects domestically close to us

Artefacts can be found at the following times on the timeline:
​
In Other People's Skins 00.00.00

Dance Floor 00.04.07

Water Table 00.05.51

The Dinner Party 00.08.43

​The Sum of Hands 00.10.01)

Portfolio 1, List of Contents 
High Definition Video and Experiences of Immediacy and the Environment is comprised of:

​5 artefacts,
25 exhibitions,
1 peer reviewed article 
1 industry article,
2 conference papers
​1 invited talk to a research community

ARTEFACTS

• Flaxton T. (2008) In Other People's Skins

            (IOPS) life-sized projection onto a table top covered by a floor length table cloth (72 inches by 40.5 inches) 16:9 aspect ratio, HD Video with 12 white plates to             catch the images of flood, surrounded by 12 chairs for the audience to sit upon – within this you will see simulations of different resolutions. In Other People's             Skins is at the head of the video file above - press play for access. Also there's a video file called The Making of Other People’s Skins - click here for access.               You can also go for further information (click URL): http://www.visualfields.co.uk/IOPSVideo.htm 

• Flaxton T. (2008) Dance Floor

            life-sized projection down onto a recess in the floor 2 foot deeper than the surrounding floor (108 inches by 60.5 inches - 16:9 aspect ratio both standard and               ​HD versions) the floor of the exhibition space scattered with shoes for audience to pick their way through. Dance Floor can be found at 04.07 on the timeline               ​of the above video
            ​You can also go here for further information: http://www.visualfields.co.uk/NEDANCE.htm

• Flaxton T. (2008) Water Table

            ​(other versions were made from 2010 onwards)
            ​projection onto a table top (72 inches by 40.5 inches - 16:9 aspect ratio standard and HD versions similar to the 12 seat version, table covered with large                   ​pebbles, Water Table can be found at 05.51 on the timeline of the above video. You can also go here for further information:             ​            ​            ​            ​
            ​http://www.visualfields.co.uk/NEWATER.htm

• Flaxton T. (2008) The Dinner Party

            ​life-sized projection onto a table top (72 inches by 40.5 inches - 16:9, standard and HD versions) similar to IOPS but with 8 seats. The Dinner Party can be                 ​found at 08.43 on the timeline of the above video. You can also go here for further information http://www.visualfields.co.uk/IOPSVideo.htm

• Flaxton T. (2009) The Sum of Hands

            ​High Resolution Digital Installation, a life-sized projection onto a table top (72 inches by 40.5 inches - 16:9 aspect ratio HD Video), similar to IOPS but with a               ​blurred effect filter (can be found at 10.01. on the timeline of the above video. You can also go here for further information             ​
            ​http://www.visualfields.co.uk/sumofhands.htm
 
EXHIBITIONS
Most of the exhibitions listed are specific to the artefacts within this portfolio, however some exhibitions are in the ‘complete list of outputs’ in portfolios 1, 2 and 3, because these exhibitions displayed research artefacts from each of those portfolios.

• Flaxton T. (2008). A series of 4 HD installations over four days, Wickham Theatre 
• Flaxton T. (2008). A series of 4 HD installations over three days http://www.visualfields.co.uk/history0.htm
• Flaxton T. (2008). In Other People's Skins in 6 Cathedrals & Bath Abbey http://www.visualfields.co.uk/indexArt2.htm
• Flaxton T. (2008). In Other People's Skins, St James Cavalier Center for the Arts, Malta  http://www.visualfields.co.uk/indexArt2.htm
• Flaxton T. (2008). The Dinner Party, Phoenix Arts Centre, Glastonbury, http://www.visualfields.co.uk/history0.htm
• Flaxton T. (2009). In Other People's Skins, Fabricca del Vappore, Milan http://www.bestup.it/new/images/stories/home/Comunicato_FDV_inglese.pdf
• Flaxton T. (2009). In Other People's Skins, Southwell Minster http://www.visualfields.co.uk/indexArt2.htm
• Flaxton T. (2009). In Other People's Skins, The Phoenix Arts Center, Glastonbury, http://www.visualfields.co.uk/history0.htm
• Flaxton T. (2010). In Other People's Skins, The Cathedral of St John the Divine, New York, http://www.visualfields.co.uk/indexArt2.htm
• Flaxton T. (2010). In Other People's Skins, Vasteras Cathedral, Sweden, http://www.flaxton.btinternet.co.uk/indexArt2.
• Flaxton T. (2010). Other People's Skins, Walcott Gallery, Bath, http://www.visualfields.co.uk/indexArt2.htm
• Flaxton T. (2010) In Other People's Skins, Xi'an Academy of Fine Art.

            ​Note the video below the newspapers which is relevant as an exposition of how In Other People's Skins was received wherever it was exhibited regardless of
            ​culture​

​

• Flaxton T. (2010) Summative Exhibition of 1st AHRC Fellowship

            ​​This is exhibition is important for the first three portfolios.  P3 Gallery, London (University of
​            ​​Westminster), http://www.visualfields.co.uk/P3exhibition.m4

ARTICLES

• Flaxton T. (2009) Time and Resolution, Experiments in High Definition Image Making

            ​Journal of Media Practice ​Volume 10 Nos 2 and 3, 2009, pp. 123-147.
            ​This was the first article to critically reflect on the effect of the creation and exhibition of the artefacts associated
            ​with this (and other) portfolios 
            ​http://www.academia.edu/204068/Time_and_Resolution_Experiments_in_high_definition_image_making

• Flaxton T. (2008) Feeding the World

​            ​Showreel Magazine, A professional journal article introduced some of the issues for a professional             ​
            ​​audience: http://www.academia.edu/227289/Feeding_the_World
 
CONFERENCES 

• Flaxton T. (2007) Exploring HD, Anglia Ruskin, Megapixel Conference, https://www.academia.edu/272802/Exploring_HD_2007_Anglia_Ruskin_Megapixel_Conference
• Flaxton T. (2008) High Definition Aesthetics’, University of Cardiff, Newport AVC Phd Conference http://www.academia.edu/272811/HD_aesthetics_Newport_2008_AVC_Phd_Conference

 
INVITED TALKS 

• Flaxton T. (2009) High Definition Technologies and Aesthetics, Bergen Institute of Fine Art 2009. 

NEXT:
For Key Examples of Content of Portfolio 2:           Portfolio 2 (Guide with key outputs)
For Critique and Guide to Portfolio 2:                      Critical Commentary on Portfolio 2
For a Complete List of All Artefacts in Portfolio 2: ​1Portfolio 2 Complete List of Outputs​