Complete List of Outputs in Portfolio Two:
High Resolution Motion Images and the Iconic Image
Portfolio 2 from Studio VisualFields on Vimeo. Instructions for accessing Portfolio 2
To access all artefacts listed including video file, pdfs and online resources please use the main URL or go directly here: http://motionimageresearch.weebly.com/portfolio-2.html Please click the video of ‘Portfolio 2’ then select examples using the timeline using times set below. If you scrub the mouse along the timeline without clicking, a thumbnail will appear which demonstrates the image at that point – then click timeline to access ARTEFACTS
http://www.visualfields.co.uk/ANSEL.html
I created three further artefacts to further explore the question with regard to the consumer experience of High Definition:
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To investigate the production of images of the wider environment to establish if the use of higher resolutions can refresh and deepen audience engagement
Artefacts can be found at the following times on the timeline: In Re Ansel Adams 00.00.01 Un Tempo Una Volta 00.02.04 Three Unavoidable Moving Image Works Autumn Dusk Cafe Scene 00.04.54 The American Dream 00.06.46 Mes Petits Cartes Postales de Beijing 00.09.03 Nine Moving Image Works to Investigate Ideas of ‘Place and Space’, High Resolution Digital Installation, Various The Unfurling 2008 (Time: 00.12.20) Cathedral Steps 2010, (After MC Escher) (Time: 00.14.54) James Loves Sarah, 2009 – 2010 (Time: 00.16.49) The Divine Being 2009 – 2010 (Time: 00.17.37) The Unfailing Landscape 2009 – 2010 (Time: 00.18.30) Glastonbury Tor 2009 – 2010, Smoke Piece 2009 – 2010 (Time: 00.19.25) Smoke Piece 2010 (Time: 00.20.08) The Elemental Wave 2009 – 2010, Walking (In Re Richard Long) 2009 – 2010 (Time: 00.21.20) Walking (In Re Richard Long) 2010 (Time: 00.22.12) Wood, Wave, Wetland, Moor 2009 – 2010, Comprised of combinations of these last three works (Smoke Piece, The Elemental Wave, Walking) with the addition of Wetland Landscape, projected in a square of 20 foot x 10 foot screens (Time: 00.23.31 |
I then created nine further artefacts investigating levels of scale of display in terms of both size and of resolution:
- Flaxton T. (2010) Nine Moving Image Works to Investigate Ideas of Place and Space, Installations Various screen sizes and resolutions (primary exhibition work on either, 20 foot x 10 foot screens – or a series of 12 inch by 9 inch photoframes)
- Flaxton T. (2008) The Unfurling on timeline: 12.20
- Flaxton T. (2010) Cathedral Steps, (After MC Escher) on timeline: 14.54
- Flaxton T. (2010) James Loves Sarah, on timeline: 16.49
- Flaxton T. (2010) The Divine Being on timeline: 17.37
- Flaxton T. (2010) The Unfailing Landscape on timeline: 18.30
- Flaxton T. (2010) Glastonbury Tor, Smoke Piece on timeline: 19.25
- Flaxton T. (2010) Smoke Piece on timeline: 20.08
- Flaxton T. (2010) The Elemental Wave, on timeline: 21.20
- Flaxton T. (2010) Walking: In Re Richard Long on timeline: 22.12
- Flaxton T. (2010) Wood, Wave, Wetland, Moor. Comprised of combinations of three works Smoke Piece, The Elemental Wave, Walking with the addition of Wetland Landscape, projected in a square of 20 foot x 10 foot screens, on timeline: 23.31
EXHIBITIONS
I include this following video from a few months later not for the size but for the amount of works exhibited which was similar in number
http://www.visualfields.co.uk/P3exhibition.m4v
- Flaxton T. (2008) A series of 4 HD installations over four days Wickham Theatre, http://www.visualfields.co.uk/NE57.htm
- Flaxton T. (2008) A series of 4 HD installations over three days http://www.visualfields.co.uk/history0.htm
- Flaxton T. (2008) Gallery 204, Bristol http://www.visualfields.co.uk/history0.htm
- Flaxton T. (2008) Un Tempo Una Volta (Once Upon a Time), plus Ritratti di Cannaregio (Portraits of Cannaregio), Scarabocchio Studio Grafico, Cannaregio, Ponte degli Ormensini, Venice, 12/09/08 http://www.visualfields.co.uk/NEPortraitsCannaregio.htm
- Flaxton T. (2009) Imaginists: 2 small exhibitions of work from Venice, Gallery 204, Bristol, The Phoenix Arts Center Glastonbury, 2009. http://www.visualfields.co.uk/imaginiststalking.htm
- Flaxton T. (2009) Two Italian Exhibitions: Rome Film Festival and Milan InVideo Festival http://www.visualfields.co.uk/blinkart1.html
- Flaxton T. (2009) Bergen Elektronisk Kunst Senter, Norway
- Flaxton T. (2010) Research Works from AHRC Fellowship, Salisbury Arts Centre
I include this following video from a few months later not for the size but for the amount of works exhibited which was similar in number
http://www.visualfields.co.uk/P3exhibition.m4v
- Flaxton T. (2010) Summative Exhibition of 1st AHRC Fellowship P3 Gallery, London (University of Westminster), This was the cumulative exhibition of the AHRC Fellowship and was held in collaboration with University of Westminster. The artefacts and research were highlighted for the Westminster CREAM research group at their Research Away-day. During this exhibition Academics were also approached to discuss issues around the methodology of practice as research and these are available online totaling 4 hours: http://www.visualfields.co.uk/KTWest.htm.
ARTICLES
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CONFERENCES
INVITED TALKS TO RESEARCH COMMUNITIES
NEXT:
For Key Examples of Content of Portfolio 3: Portfolio 3 (Guide with key outputs)
For Critique and Guide to Portfolio 3: Critical Commentary on Portfolio 3
For a Complete List of All Artefacts in Portfolio 3: 1Portfolio 3 Complete List of Outputs
- Flaxton T. (2009), The Concept of Colour Space as seen from the Practitioner’s Standpoint Bristol University Colour Conference at the Arnolfini Gallery (published online at
INVITED TALKS TO RESEARCH COMMUNITIES
- Flaxton T. (2009), Milan University. This presentation is similar to a paper given in Cardiff in the previous year. For verification please contact Professor Sandra Lischi of Milan University: [email protected]
NEXT:
For Key Examples of Content of Portfolio 3: Portfolio 3 (Guide with key outputs)
For Critique and Guide to Portfolio 3: Critical Commentary on Portfolio 3
For a Complete List of All Artefacts in Portfolio 3: 1Portfolio 3 Complete List of Outputs