Complete List of Outputs in Portfolio Three: Images of High Resolution Portraiture
Portfolio 3 from Studio VisualFields on Vimeo.
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To investigate whether increases of resolution with life-sized moving image portraiture increases audience engagement
Portraits of Glastonbury Tor, Various 00.00.01 Ritratti di Cannaregio (Portraits of Cannaregio), 00.03.18 Portraits of the Somerset Carnivals, 00.05.50 Portraits of the Centenary, University of Bristol’ 00.08.34 Portraits of Spitalfields, London, 00.19.26 Portraits of the Arrow Tower, Beijing, 00.21.50 Portraits of the Flat Iron Building, New York, 00.23.52 Self Portrait in the Digital Domain, 00.26.00 Three Moving Image Works of Extended Portraiture, A Moving Portrait of the Poet, Elizabeth Beech, A Moving Portrait of the Artist, Charlotte Humpston, A Moving Portrait of the Window Cleaner, Alfred Glasspole 00.27.56 Until I'm Gone, 00.31.12 Portraits of the Working People of Somerset, 00.38.35 |
Instructions for accessing Portfolio 3
To access all artefacts listed including video file, pdf’s and online resources please use the main URL or go directly here: https://www.terryflaxton.com/portfolio-3-complete-list-of-outputs.html
Please click the video of ‘Portfolio 3’ then select examples using the timeline using times set below. If you scrub the mouse along the timeline without clicking, a thumbnail will appear which demonstrates the image at that point – then click timeline to access
To access all artefacts listed including video file, pdf’s and online resources please use the main URL or go directly here: https://www.terryflaxton.com/portfolio-3-complete-list-of-outputs.html
Please click the video of ‘Portfolio 3’ then select examples using the timeline using times set below. If you scrub the mouse along the timeline without clicking, a thumbnail will appear which demonstrates the image at that point – then click timeline to access
ARTEFACTS
http://www.visualfields.co.uk/TORPORTRAITS.htm
http://www.visualfields.co.uk/cannaregio.htm
an exposition within the new HDR pathway we were originating in the BBC White Paper at a later date (this not HDR). Can be found at 05.50 on the timeline
above http://www.visualfields.co.uk/carnivalembed.htm
http://www.visualfields.co.uk/sixscreen.htm
http://www.visualfields.co.uk/history0.htm
A Moving Portrait of the Artist, Charlotte Humpston
A Moving Portrait of the Window Cleaner, Alfred Glasspole
Can be found at 27.56 on the timeline above
http://www.visualfields.co.uk/PRINTS.htm
http://www.visualfields.co.uk/MP2InstallationExcerpt.ht
- Flaxton T. (2008) Portraits of Glastonbury Tor
http://www.visualfields.co.uk/TORPORTRAITS.htm
- Flaxton T. (2008) Ritratti di Cannaregio (Portraits of Cannaregio)
http://www.visualfields.co.uk/cannaregio.htm
- Flaxton T. (2009) Portraits of the Somerset Carnivals.
an exposition within the new HDR pathway we were originating in the BBC White Paper at a later date (this not HDR). Can be found at 05.50 on the timeline
above http://www.visualfields.co.uk/carnivalembed.htm
- Flaxton T. (2009) Portraits of the Centenary, University of Bristol
- Flaxton T. (2010) Portraits of Spitalfields, London
- Flaxton T. (2010) Portraits of the Arrow Tower, Beijing
- Flaxton T. (2010) Portraits of the Flat Iron Building, New York
http://www.visualfields.co.uk/sixscreen.htm
- Flaxton T. (2010) Self Portrait in the Digital Domain
http://www.visualfields.co.uk/history0.htm
- Flaxton T. (2010) Three Moving Image Works of Extended Portraiture
A Moving Portrait of the Artist, Charlotte Humpston
A Moving Portrait of the Window Cleaner, Alfred Glasspole
Can be found at 27.56 on the timeline above
- Flaxton T. (2010) Until I'm Gone
http://www.visualfields.co.uk/PRINTS.htm
- Flaxton T. (2012) Portraits of the Working People of Somerset
http://www.visualfields.co.uk/MP2InstallationExcerpt.ht
EXHIBITIONS
- Flaxton T. (2008) A series of 4 HD installations over four days,
- Flaxton T. (2008) A series of 4 HD installations over three days, 18/09/08-20/09/08 http://www.visualfields.co.uk/history0.htm
- Flaxton T. (2008) In Re Ansel Adams, Gallery 204, Bristol, 26/09/08-27/09/08 http://www.visualfields.co.uk/history0.htm
- Flaxton T. (2008) Ritratti di Cannaregio (Portraits of Cannaregio) & Un Tempo Una Volta (Once Upon a Time), Scarabocchio Studio Grafico, Cannaregio, Ponte degli Ormensini, Venice, 12/09/08 http://www.visualfields.co.uk/NEPortraitsCannaregio.htm
- Flaxton T. (2009) Imaginists - 2 small exhibitions of work from Venice, Gallery 204, Bristol, The Phoenix Arts Center Glastonbury, 2009. http://www.visualfields.co.uk/imaginiststalking.htm
- Flaxton T. (2009) Screening of Research work, Bergen Elektronisk Kunst Senter, Norway http://www.visualfields.co.uk/history0.htm
- Flaxton T. (2009) Two Italian Exhibitions: Rome Film Festival and Milan InVideo Festival, Rome & Milan http://www.visualfields.co.uk/blinkart1.html
- Flaxton T. (2010) International Exhibitions (France, USA, Japan), Museum of Modern Art Strasbourg, Yokohama Creativity City Center, New York Center, Millennium Magazine exhibition. http://www.visualfields.co.uk/history0.htm
- Flaxton T. (2010) One Person Show of research works from AHRC Fellowship, Salisbury Arts Center, 01/10/10-31/10/08, 2010. http://www.visualfields.co.uk/P3exhibition.m4v
- Flaxton T. (2010) Time and Resolution: Experiments with High Resolution Imaging, P3 Gallery, London (University of Westminster), 07/12/10-21/12/10. http://www.visualfields.co.uk/P3exhibition.m4v‘Portraits of the Working People of Somerset’, Glastonbury Abbey, Somerset, 07/10/11-22/01/12
- Flaxton T. (2011) Portraits of the Working People of Somerset, Bath Museum of Work, 08/07/11-27/09/11
ARTICLES
article updates The Technologies, Aesthetics, Philosophy and Politics of High Definition Video from Portfolio 2 to record the changes in technical developments in the medium |
CONFERENCES
now begin to think through the relationship of the technology of capture and display and the nature of the sentient consciousness that was looking at the
mediated form of the world and what that might mean
http://www.academia.edu/259359/New_understanding_of_the_mimetic_and_the_diegetic_in_the_creation_of_art_Xian_Academy_of_FIne_Arts_July_2010
http://www.academia.edu/580827/The_Creation_of_Digital_Art_in_a_Post_Digital_World
at Academia.edu) http://www.academia.edu/694011/High_Definition_Imaging_The_Paradox_of_Creativity_Within_the_Academy
INVITED TALKS TO RESEARCH COMMUNITIES
together with my alighting on the proposition that the human gaze itself was not without functionality itself - that its specificities and affordances make it a pliable and evolving material.
http://www.academia.edu/353880/Myth_and_Meaning_in_the_Digital_Age
NEXT:
For Key Examples of Content of Portfolio 4: Portfolio 4 (Guide with key outputs)
For Critique and Guide to Portfolio 4: Critical Commentary on Portfolio 4
For a Complete List of All Artefacts in Portfolio 4: 1Portfolio 4 Complete List of Outputs
- Flaxton T. (2010) New Understandings of the Mimetic and Diegetic in the Creation of Art, Xi’an Academy of Fine Art
now begin to think through the relationship of the technology of capture and display and the nature of the sentient consciousness that was looking at the
mediated form of the world and what that might mean
http://www.academia.edu/259359/New_understanding_of_the_mimetic_and_the_diegetic_in_the_creation_of_art_Xian_Academy_of_FIne_Arts_July_2010
- Flaxton T. (2010) Notes on the Developing Aesthetics of Digital Technology and its effects on Transmedial Disciplines, University of Bristol, Technologies of Transmediality, (published online at Academia.edu) Here I am beginning to turn my own gaze on the idea that evidence itself has limitations. I begin to question the basis of materialism, through cognitive neuroscientific propositions
- Flaxton T. (2011) The creation of Art in a post-digital World
http://www.academia.edu/580827/The_Creation_of_Digital_Art_in_a_Post_Digital_World
- Flaxton T. (2011) High Definition Imaging: the Paradox of Creativity within the Academy
at Academia.edu) http://www.academia.edu/694011/High_Definition_Imaging_The_Paradox_of_Creativity_Within_the_Academy
INVITED TALKS TO RESEARCH COMMUNITIES
- Flaxton T. (2010) Westminster University Research Presentation to CREAM Research Community
- Flaxton T. (2010) Myth and Meaning in the Digital Age ETH Zurich
together with my alighting on the proposition that the human gaze itself was not without functionality itself - that its specificities and affordances make it a pliable and evolving material.
http://www.academia.edu/353880/Myth_and_Meaning_in_the_Digital_Age
NEXT:
For Key Examples of Content of Portfolio 4: Portfolio 4 (Guide with key outputs)
For Critique and Guide to Portfolio 4: Critical Commentary on Portfolio 4
For a Complete List of All Artefacts in Portfolio 4: 1Portfolio 4 Complete List of Outputs