Key Outputs of Portfolio Four: Understanding Digital Cinematography
Each Portfolio has a section like this that seeks to limit the research work that has to be addressed by examiners - do look at the drop down menu for the complete list of artefacts or use this link: Portfolio 4 Complete List of Outputs
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Instructions for accessing: The URLs in the list below will lead to online videos or the text of articles, papers or book chapters
IMPORTANTLY IN THIS PORTFOLIO:
As you'll see there are many online resources so an attempt to cut them down is difficult. Perhaps with the online resources that have many elements, please scan through one or two to get the sense of the work undertaken. |
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KEY ONLINE RESOURCES
moving image capabilities and what their effect might have on the audience. These involve the development of Higher Frame Rates, Higher Resolution and
Higher Dynamic Range. There are interviews with prominent academics, people who are involved in the design of the new capture and display media, artists
and professionals working in the new medium. http://www.visualfields.co.uk/indexHDresource.htm
public forum. The first session is available here – look at the commentary around this event or the drop down menu for the complete list for the other 4 URLs
http://www.dshed.net/media/the-look-session1-apr2011.mp4
- Flaxton T, (2008) The Verbatim History of Digital Cinematography After clicking link here click picture of myself and Geoff Boyle on arrival at link
moving image capabilities and what their effect might have on the audience. These involve the development of Higher Frame Rates, Higher Resolution and
Higher Dynamic Range. There are interviews with prominent academics, people who are involved in the design of the new capture and display media, artists
and professionals working in the new medium. http://www.visualfields.co.uk/indexHDresource.htm
- Flaxton T, (2011) The Look From Capture to Display
public forum. The first session is available here – look at the commentary around this event or the drop down menu for the complete list for the other 4 URLs
http://www.dshed.net/media/the-look-session1-apr2011.mp4
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There are a set of online sessions that constitute workshops within the 2015 Festival which I organised and presented throughout. Click here to access and
click for full screen: http://motionimageresearch.weebly.com/2015-bristol-international-festival-of-cinematography-video-documentation.html click for full screen: http://motionimageresearch.weebly.com/2016-bristol-international-festival-of-cinematography-video-documentation.html
click for full screen: http://motionimageresearch.weebly.com/2015-bristol-international-festival-of-cinematography-video-documentation.html click for full screen: http://motionimageresearch.weebly.com/2016-bristol-international-festival-of-cinematography-video-documentation.html
KEY INDUSTRY ENGAGEMENTS
- Flaxton T, Spark S (2016) Four camera and Lens Tests (7 minute Video as a descriptor of the events) were made available to the professional community via presentations at NAB Las Vegas and IBC Amsterdam. The industry reports are very technical and the 2016 lens test can be accessed here: https://cinematography.net/CML-CMIR-Lens-Tests.html
A file of a report for Faculty of Arts, Creative Industries and Education on the efficacy of the Camera and Lens Tests has been removed because it is confidential.
KEY ARTEFACTS
KEY EXHIBITIONS
- Flaxton T, Humpston C (2016) To Stand and Stare: An English Landscape, 70 minute single screen work investigating ideas of place and space and the notion of truth in art and documentary Password: Somerset2473 https://vimeo.com/287655942 2nd iteration 2016
- Flaxton T, (2012/2016) The Intersection of Dreams (In Re Salvador Dali), The Bristol Triptych: The Intersection of Dreams Triptych 2014 https://vimeo.com/manage/314054471/general
- Flaxton T, (2014) Kings Canyon Cinemontage https://www.seditionart.com/terry-flaxton/kings-canyon-northern-territory
- Flaxton T, (2012) The Human Condition - an HDR project for Sim2 Display. As this was encoded for HDR it will not play back at the correct luminance - however, it will give a flavour of what we were trying to achieve with a range of luminance
KEY EXHIBITIONS
- Flaxton T, (2016) In Other People’s Skins, Presidential Palace, Florence
- Flaxton T, (2015) In parallel, The Cathedral of St John the Divine, New York, Triptych, The Intersection of Dreams (In Re Salvador Dali) 1st Visit
- Flaxton T, (2015) In parallel: Bristol Cathedral, The Bristol Triptych: The Intersection of Dreams (In Re Salvador Dali)
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CO-AUTHORED ARTICLE BBC RESEARCH AND DEVELOPMENT WHITE PAPER
https://www.academia.edu/5125103/Production_of_Higher_Dynamic_Range_Video KEY ARTICLES
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BOOK CHAPTERS
Digital Light, Sydney: fibreculture/Open Humanities Press, Full Text http://openhumanitiespress.org/books/download/Cubitt-Palmer- Tkacz_2015_DigitalLight.pdf 2013 http://www.visualfields.co.uk/DigitalLight.pdf |
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KEY CONFERENCES
https://www.academia.edu/38235460/_Waves_of_Technology_for_ISEA_Vancouver_Including_script_for_panel_introductions.pdf
KEY INVITED TALKS TO RESEARCH COMMUNITIES
NEXT: Critical Commentary on Portfolio 4
- Flaxton,T. (2012) The Cinematographers Eye, The Academic’s Mind and the Artist’s Intuition: Exhibiting Video Conference
- Flaxton,T. (2013) The Future of the Moving Image
- Flaxton,T. (2015) Waves of Technology
https://www.academia.edu/38235460/_Waves_of_Technology_for_ISEA_Vancouver_Including_script_for_panel_introductions.pdf
KEY INVITED TALKS TO RESEARCH COMMUNITIES
- Flaxton,T. (2011) The Future of High Resolution Imaging
- Flaxton,T. (2015) HDR Technology and the Future
- Flaxton,T. (2016) The Mind, the Gaze the Lens and the Sensor: Future Cinematography
NEXT: Critical Commentary on Portfolio 4