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The Present & The Past
The Present and The Past
Vida 1976 - 1981
Transition 1981 - 1982
Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
Triple Vision & Channel 4 1985 - 1992
A Trip Sideways to the BBC
Cinematography and Scripting 1992 - 2006
Academia and a developing Artistic Practice 2007 - 2016
2015 & 2016 Cinefest Bristol International Festival of Cinematography
Sedition 2015 - Present
>
Sedition 2015 - Larger
Makersplace and NFT's 2020 - 2022
2025 and beyond?
Resurrection (for Jean Cocteau)
>
RWA, FRPS, academic
Anecdotal Evidence
Artworks, Installations, Docs
Artworks, Documentaries, Installations
Longer Form Artworks
Installations 1992 - The Present
>
Proposed Exhibition
Short works with a life of their own
Collaboration: Terry Flaxton Shawn Bell
Collaboration: Terry Flaxton Emily Burridge
Collaboration: Terry Flaxton Al Lethbridge
Documentaries 70s to 90s
Channel 4 - Moving Image Art Resources
Blink 2003 to 2012
Work on Racism 1976 - 2000
Short Dramas
Music Industry Work
Music and Sound 1969 - 1975
An Early History of Video Art in the UK
Theatre Work
The Cold War Game: The Soviet Union
Phd
Abstract
>
Aims of the Critical Commentary
Introduction: practice as research as an investigative tool and methodology
Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
Portfolio 1 Guide
>
Critical Commentary on Portfolio 1
Portfolio 1 Complete list of outputs
Portfolio 2 Guide
>
Critical Commentary on Portfolio 2
Portfolio 2 Complete list of outputs
Portfolio 3 Guide
>
Critical Commentary on Portfolio 3
Portfolio 3 Complete list of outputs
Portfolio 4 Guide
>
Critical Commentary on Portfolio 4
Portfolio 4 Complete list of outputs
Phd Conclusion
>
Consolidated Bibliography of Works Referred to in the Critical Commentaries
Key Propositions from the Research Period
Complete List of Outputs
Extra Resources
>
1. Context for Research from 1971 forwards
2. Emerging technologies in industry prior to the research period (2007)
3. High Resolution Research 2007 - 2010
4. Higher Dynamic Range Research 2010 - 2016
2016 Bristol International Festival of Cinematography Video Documentation
>
Cinefest 2016 Trailer
2015 Bristol International Festival of Cinematography Video Documentation
The Verbatim History of Digital Cinematography
>
The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013
>
Professor Duncan Petrie on the structure of film training in the UK
An introduction to 'Resolution'
Projection Mapping
An Introduction to Motion Capture
Cinematographers Discuss Their Role
The Neurocinematics of FIlm: Hasson et al
RGB-Z Depth Capture in real time
The Future of Display Technology
CMIR ONE
>
18 Seconds
BOUNCE
7 seconds
4 seconds
Verbatim Interviews
The Verbatim History of the Aesthetics and Technologies of Analogue Video
A History of Video Art
Discussions
News
Latest releases & exhibitions
SHOP
The Present & The Past
The Present and The Past
Vida 1976 - 1981
Transition 1981 - 1982
Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
Triple Vision & Channel 4 1985 - 1992
A Trip Sideways to the BBC
Cinematography and Scripting 1992 - 2006
Academia and a developing Artistic Practice 2007 - 2016
2015 & 2016 Cinefest Bristol International Festival of Cinematography
Sedition 2015 - Present
>
Sedition 2015 - Larger
Makersplace and NFT's 2020 - 2022
2025 and beyond?
Resurrection (for Jean Cocteau)
>
RWA, FRPS, academic
Anecdotal Evidence
Artworks, Installations, Docs
Artworks, Documentaries, Installations
Longer Form Artworks
Installations 1992 - The Present
>
Proposed Exhibition
Short works with a life of their own
Collaboration: Terry Flaxton Shawn Bell
Collaboration: Terry Flaxton Emily Burridge
Collaboration: Terry Flaxton Al Lethbridge
Documentaries 70s to 90s
Channel 4 - Moving Image Art Resources
Blink 2003 to 2012
Work on Racism 1976 - 2000
Short Dramas
Music Industry Work
Music and Sound 1969 - 1975
An Early History of Video Art in the UK
Theatre Work
The Cold War Game: The Soviet Union
Phd
Abstract
>
Aims of the Critical Commentary
Introduction: practice as research as an investigative tool and methodology
Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
Portfolio 1 Guide
>
Critical Commentary on Portfolio 1
Portfolio 1 Complete list of outputs
Portfolio 2 Guide
>
Critical Commentary on Portfolio 2
Portfolio 2 Complete list of outputs
Portfolio 3 Guide
>
Critical Commentary on Portfolio 3
Portfolio 3 Complete list of outputs
Portfolio 4 Guide
>
Critical Commentary on Portfolio 4
Portfolio 4 Complete list of outputs
Phd Conclusion
>
Consolidated Bibliography of Works Referred to in the Critical Commentaries
Key Propositions from the Research Period
Complete List of Outputs
Extra Resources
>
1. Context for Research from 1971 forwards
2. Emerging technologies in industry prior to the research period (2007)
3. High Resolution Research 2007 - 2010
4. Higher Dynamic Range Research 2010 - 2016
2016 Bristol International Festival of Cinematography Video Documentation
>
Cinefest 2016 Trailer
2015 Bristol International Festival of Cinematography Video Documentation
The Verbatim History of Digital Cinematography
>
The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013
>
Professor Duncan Petrie on the structure of film training in the UK
An introduction to 'Resolution'
Projection Mapping
An Introduction to Motion Capture
Cinematographers Discuss Their Role
The Neurocinematics of FIlm: Hasson et al
RGB-Z Depth Capture in real time
The Future of Display Technology
CMIR ONE
>
18 Seconds
BOUNCE
7 seconds
4 seconds
Verbatim Interviews
The Verbatim History of the Aesthetics and Technologies of Analogue Video
A History of Video Art
Discussions
CMIR SEMINAR EVENT - Duncan Petrie
On 3rd February 2014, Professor Duncan Petrie of York University, came to Bower Ashtton Campus to give a CMIR talk on the subject of the construction of FIlm training in the UK
The video above is a record of that talk