Terry Flaxton
Latest releases & exhibitions
Resurrection (for Jean Cocteau)
Flaxton Retrospective October 2023
RWA, FRPS, academic
The Present & The Past
The Present and The Past
Vida 1976 - 1981
Transition 1981 - 1982
Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
Triple Vision & Channel 4 1985 - 1992
A Trip Sideways to the BBC
Cinematography and Scripting 1992 - 2006
Academia and a developing Artistic Practice 2007 - 2016
2015 & 2016 Cinefest Bristol International Festival of Cinematography
Sedition 2015 - Present
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Sedition 2015 - Larger
Makersplace and NFT's 2020 - 2022
2025 and beyond?
Artworks, Documentaries, Installations
Artworks, Documentaries, Installations
Longer Form Artworks
Installations 1992 - The Present
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Proposed Exhibition
Short works with a life of their own
Collaboration: Terry Flaxton Shawn Bell
Collaboration: Terry Flaxton Emily Burridge
Collaboration: Terry Flaxton Al Lethbridge
Documentaries 70s to 90s
Channel 4 - Moving Image Art Resources
Blink 2003 to 2012
Work on Racism 1976 - 2000
Short Dramas
Music Industry Work
Music and Sound 1969 - 1975
An Early History of Video Art in the UK
Theatre Work
The Cold War Game: The Soviet Union
Phd Home
Abstract
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Aims of the Critical Commentary
Introduction: practice as research as an investigative tool and methodology
Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
Portfolio 1 Guide
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Critical Commentary on Portfolio 1
Portfolio 1 Complete list of outputs
Portfolio 2 Guide
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Critical Commentary on Portfolio 2
Portfolio 2 Complete list of outputs
Portfolio 3 Guide
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Critical Commentary on Portfolio 3
Portfolio 3 Complete list of outputs
Portfolio 4 Guide
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Critical Commentary on Portfolio 4
Portfolio 4 Complete list of outputs
Phd Conclusion
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Consolidated Bibliography of Works Referred to in the Critical Commentaries
Key Propositions from the Research Period
Complete List of Outputs
Extra Resources
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1. Context for Research from 1971 forwards
2. Emerging technologies in industry prior to the research period (2007)
3. High Resolution Research 2007 - 2010
4. Higher Dynamic Range Research 2010 - 2016
2016 Bristol International Festival of Cinematography Video Documentation
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Cinefest 2016 Trailer
2015 Bristol International Festival of Cinematography Video Documentation
Research & Innovation
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Research Streams of CMIR 2013 - 2017
Higher Dynamic Range Laboratory
Higher Dynamic Range Research
Practice as Research
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Practice as Research
PhD Information
BLINK
UWE active in new feature film - DoP Geoff Boyle, Visiting Professor
AHRC Creative Research Fellowship
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Output One
Output Two
Output Three
Output Four
Short Works of Art
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Aperture
Zagorsk
One Second to Midnight
Autumn Dusk Cafe Scene
Les Petites Cartes Postales de Beijing
Water Table/The Power of the Sea
CMIR RWA KWMC Bursary winners
Artistic development and its relationship to the technologies of the Moving Image
Selling the Immaterial in a Material World
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Artists Marque
Harry Blain, Ex Haunch of Venison on s[edition]
How to Collect Immaterial and New Media Art
DataMontage
CML/CMIR Camera Tests
Moving Image Knowledge Exchange Network
Radical Film Network
Interactive Documentary, developing knowledge exchange forms & a reassessment of cultural value
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An experiment in online interactivity
DotMov Museum of Moving Image
Artists Moving Image Exchange Network - AMEN
The Future of Display Technology
The Photographic Image
CML UWE Camera and Lens Tests
Collected text resources
The Verbatim History of Digital Cinematography
Verbatim Interviews
The Verbatim History of the Aesthetics and Technologies of Analogue Video
A History of Video Art
Papers
Leonardo: New Utopias in Data Capitalism
The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013
Professor Duncan Petrie on the structure of film training in the UK
An introduction to 'Resolution'
An Introduction to Motion Capture
Projection Mapping
Cinematographers Discuss Their Role
The Neurocinematics of FIlm: Hasson et al
RGB-Z Depth Capture in real time
News
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News
Past Events held by CMIR
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AMPS & CMIR Conference 2016
CMIR:ONE December 2015 CentreSpace Exhibition
John Hopkins, Father of British Independent Video
Bristol Festival of Cinematography September 2015
Bristol Radical Film Festival 2015: Commemorating the 1975 First Festival of Independent British Cinema
CMIR 'Lighting Faces' Masterclass with Geoff Boyle
Higher Dynamic Range Laboratory
Symposium at Encounters Short Film and Animation Festival, Aesthetics/Politics/Activism/Art: What is Radical Now?
'VIENNA-BRISTOL-RIGA: A JOURNEY THROUGH RADICALISM' at Encounters Short Film and Animation Festival
Visual Activism(s): Tactics, Technologies and Styles
The Films of Ben Smithard BSC, Bargehouse June 2014
Bristol Radical Film Festival presents: Superlative TV and 'Equal Temperament' (2014)
One Artists Journey - 2014 May at the RWA
2014 CML/CMIR Camera Tests
The Films of Roberto Schaefer at Encounters 2013
Professor Duncan Petrie on the structure of film training in the UK
The Stuart Hall Project 18th February
ISEA 2013
Community Filmmaking and Cultural Diversity
Bristol Radical Film Festival
Oxford Radical Forum
Bristol Radical Film Festival presents: Bristol Palestine Film Festival Warm-up
Bristol Radical Film Festival presents: Benefit Bonanza Solidarity Screening in association with Side by Side LGBT Festival in Russia
Past Events Further Back
The Future of Display Technology
CMIR ONE
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18 Seconds
BOUNCE
7 seconds
4 seconds
BSC Expo Presentation: Terry Flaxton
Hotels and map CineFest
People & Affiliations
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People & Affiliations
Affiliate Academics from other Universities
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Professor Jane Arthurs, Middlesex University
Dr Sarah Atkinson, University of Brighton
Professor Amanda Beech, Dean, School of Critical Writing, CalArts
Dr Vince Briffa
Cathy Greenhalgh, Principle Lecturer, LCC
Professor Sean Cubitt, Goldsmiths
Professor Stefan Grandinetti, Stuttgart Media University
Dr Leon Gurevitch, Victoria University of Wellington
Andrew Demirjian, Specialist Professor, Monmouth University, New York
Roberta Friedman Associate Professor, Moving Image Montclair University
Professor Julia Knight, University of Sunderland
Dr, Lev Manovich Professor, The Graduate Center, City University New York
Dr Kayla Parker, Lecturer in Media Arts Plymouth University
Professor Stephen Partridge, University of Dundee
Professor Duncan Petrie, University of York
Dr Marc Price, University of Bristol
Affiliate Cinematographers & Filmmakers
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Renny Bartlett, Producer, Director, Screenwriter
Karel Bata
Geoff Boyle, FBKS, Visiting Professor
Sharon Calahan ASC
Catherine Goldschmidt
Jack Hayter
Dave Riddet
Roberto Schaefer ASC, AIC, Visiting Professor
Jonathan Smiles, Workflow Specialist
Ben Smithard BSC
David Stump ASC
Affiliate Academics from UWE
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Dr Judith Aston
Terryl Bacon
Liz Banks
Judith Bracegirdle
Professor John Cook
Dr Charlotte Crofts
Abigail Davies
Dr Josie Dolan
Professor Jon Dovey
Katrina Glitre
Dr John Hodgson
Dr James Jackman
Susan Mcmillan
Rachel Mills
Alistair Oldham
Dr Shawn Sobers
Dr Gillian Swanson, Associate Professor
Estella Tincknell, Associate Professor
Dr Sherryl Wilson
Affliate Research Groups
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Bristol Vision Institute, University of Bristol
Creative Media Research Group, ACE, UWE
Digital Cultures Research Centre
Film and Television Studies Research Group, UWE
Affiliate Cultural & Cinematic Organisations and Producers
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Aardman Animations
Afrika Eye/Zimmedia
Encounters Short Film & Animation Festival
IMAGO: European Federation of Cinematographers
Royal West of England Academy
Knowle West Media Centre
Watershed Media Centre, Bristol
Affiliate Independent Researchers & Artists
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Andrew Buchanan
Mark Cosgrove
Caroline Norbury, Visiting Professor, ACE, UWE
Peter Donebauer
Charlotte Humpston
Andrew Kelly, Visiting Professor, ACE, UWE
RIk Lander
Dr Ben Sherriff
Deborah Weinreb
Lucy Williams
Glow
United Digital Artists
www.terryflaxton.com
EXTREME Projection Mapping