TERRYFLAXTON.COM
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
  • News
    • Latest releases & exhibitions
  • SHOP
  • The Present & The Past
    • The Present and The Past
    • Vida 1976 - 1981
    • Transition 1981 - 1982
    • Early Broadcast work: Triple Vision & Videomakers 1982 - 1985
    • Triple Vision & Channel 4 1985 - 1992
    • A Trip Sideways to the BBC
    • Cinematography and Scripting 1992 - 2006
    • Academia and a developing Artistic Practice 2007 - 2016
    • 2015 & 2016 Cinefest Bristol International Festival of Cinematography
    • Sedition 2015 - Present >
      • Sedition 2015 - Larger
    • Makersplace and NFT's 2020 - 2022
    • 2025 and beyond?
    • Resurrection (for Jean Cocteau) >
      • RWA, FRPS, academic
    • Anecdotal Evidence
  • Artworks, Installations, Docs
    • Artworks, Documentaries, Installations
    • Longer Form Artworks
    • Installations 1992 - The Present >
      • Proposed Exhibition
    • Short works with a life of their own
    • Collaboration: Terry Flaxton Shawn Bell
    • Collaboration: Terry Flaxton Emily Burridge
    • Collaboration: Terry Flaxton Charlotte Humpston
    • Collaboration: Terry Flaxton Al Lethbridge
    • Documentaries 70s to 90s
    • Channel 4 - Moving Image Art Resources
    • Blink 2003 to 2012
    • Work on Racism 1976 - 2000
    • Short Dramas
    • Music Industry Work
    • Music and Sound 1969 - 1975
    • An Early History of Video Art in the UK
    • Theatre Work
    • The Cold War Game: The Soviet Union
  • Phd
    • Abstract >
      • Aims of the Critical Commentary
      • Introduction: practice as research as an investigative tool and methodology
      • Prologue: My Prior Development as an Industry Practitioner, Artist & Academic
    • Portfolio 1 Guide >
      • Critical Commentary on Portfolio 1
      • Portfolio 1 Complete list of outputs
    • Portfolio 2 Guide >
      • Critical Commentary on Portfolio 2
      • Portfolio 2 Complete list of outputs
    • Portfolio 3 Guide >
      • Critical Commentary on Portfolio 3
      • Portfolio 3 Complete list of outputs
    • Portfolio 4 Guide >
      • Critical Commentary on Portfolio 4
      • Portfolio 4 Complete list of outputs
    • Phd Conclusion >
      • Consolidated Bibliography of Works Referred to in the Critical Commentaries
      • Key Propositions from the Research Period
      • Complete List of Outputs
      • Extra Resources >
        • ​1. Context for Research from 1971 forwards
        • ​2. Emerging technologies in industry prior to the research period (2007)
        • ​3. High Resolution Research 2007 - 2010
        • 4. Higher Dynamic Range Research 2010 - 2016
        • 2016 Bristol International Festival of Cinematography Video Documentation >
          • Cinefest 2016 Trailer
        • 2015 Bristol International Festival of Cinematography Video Documentation
        • The Verbatim History of Digital Cinematography >
          • The FIlms of Roberto Schaefer ASC, AIC at Encounters 2013 >
            • Professor Duncan Petrie on the structure of film training in the UK
            • An introduction to 'Resolution'
            • Projection Mapping
            • An Introduction to Motion Capture
            • Cinematographers Discuss Their Role
            • The Neurocinematics of FIlm: Hasson et al
            • RGB-Z Depth Capture in real time
            • The Future of Display Technology
            • CMIR ONE >
              • 18 Seconds
              • BOUNCE
              • 7 seconds
              • 4 seconds
          • Verbatim Interviews
          • The Verbatim History of the Aesthetics and Technologies of Analogue Video
          • A History of Video Art
          • Discussions
Short Works With a Life of Their Own
Many of my shorts are published on Sedition Art (click the image opposite). I started working with Sedition Art around 2015 when I got a call and was asked might I want to become a curated artist on that platform. By now, 2024 I'm currently the ninth most collected artist on the platform out of around 2000 artists. Some of whom are very well known. So at this URL you can find around 70 works. Please click the picture or this link Sedition Art and you'll see the extent of my current phase of work. Equally Long Form Artworks are an important area. Beneath, there's a few shorts that arose before 2015. 
Picture
  • Longer Form Artworks
  • ​Installations 1992 - Present
  • ​Short Works With a Life of their Own
  • Collaborations Terry Flaxton & Shawn Bell
  • Collaborations Terry Flaxton and Emily Burridge
  • Collaborations Terry Flaxton & Al Lethbridge
  • Documentaries from the mid '70's to early '90's
  • Moving Image Art Resources
  • Blink 2003 - 2012​
  • Work on Racism 1976 - 2000
  • Short Dramas
  • ​Music Industry Work
  • Music and Sound 1969 - 1975
  • An Early History of Video Art in the UK​
  • Theatre Work
Zagorsk 1992  4 minutes

It's 1991 and I've been to Russia a few times now - but our director goes down and I'm left to make up the footage he's missing. We've been near the border of Ukraine and Moldavia - and then back up to Leningrad/St Petersburg and Moscow. We have time spare so we go visit a KGB occupied Cathedral where the keep all the notes on 'the disappeared' which we've seen plenty of evidence of in the forests as townspeople had insisted we come see the unmarked massed graves of Jewish people... Meanwhile, the Orthodox church is noticeably on the rise - and we weren't yet to know it would become Nationalist - but the beauty of some of the places we went into - and this one which was stark and unadorned asked for a representation of all the above...
On This Day The Eternal Flame Of The Chimera Burns Forever 2003 2 minutes 30 seconds

In Turkey, at Cirali, the eternal flame burst forth out of the rocks - and being a child affected by Ray Harryhausen's animations of Jason and the Argonauts and all those other mythic films - having found something that began so many myths, I felt the need to find a way to speak about that.
One Second to Midnight 2006 3 minutes 15 seconds

One night I found myself wanting to make something - so I set up a camera pointed at a tv screen and said to myself, my rule is I will shoot for 30 minutes and whatever is there is the content... Then I wrote some poetry which to me epitomised the plight of refugees the world over  and also spoke about how the world was developing...

In Re Ansel Adams 2008 90 seconds

In 2008 I took myself to Yosemite Valley to try to interrogate the idea that moving image may be able to match still image photographic works (even though photographically it had less resolution) - such as Ansel Adams famous view of the Yosemite Valley from Tunnel View. I hired a Red Camera from San Francisco to be delivered on site by a camera assistant Jeremy Wong and together we pored over the manual to work out how to set the camera up. Id hired an $80,000 24mm to 297mm Angénieux lens as I'd planned to zoom in 6 miles or so and hold the shot of the bridal veil Falls for 45 seconds - the point being that on my return to London I'd then zoom in to the pixels fade up the still shot and then slowly zoom out digitally until I'd met the point where - back in time in Yosemite, I'd then slowly optically zoom out to finally reveal the Ansel Adams Landscape at the end of the zoom - at which time I'd fade out the colour to black and white.
U238 1976 2 minutes

This is for fun: Circa 1976 we had a group called Vida and Anthony Cooper suggested we took our band called The Vomettes (we were young, it was a gesture) and Antony had written a song concerning Plutonium called U238. Tony sings, Oswaldo the politcal refugee from Chile backing vocals and I was on guitar - Tony had already started experimenting with Super 8, video had just arrived and I had started editing - we both recorded the performance as it was shot and suddenly we had the ability to put all of this together: So we did. In America this might have been an 'art gesture' in the sober UK it was mucking about. However, the politics are prescient of what is happening 48 years later...